"A Diamond, Though Set in Horn": Philip Massinger's Attitude to SpectacleInstitut für Anglistik und Amerikanistik, Universität Salzburg, 1984 - Počet stran: 282 |
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Strana 50
... ( perhaps the revelry has in fact begun ) to play host to two Emperors . It is clearly the efforts of Fletcher rather than those of Massinger which suited the play for its later spectacular operatic adaptation by Betterton and Purcell.63 ...
... ( perhaps the revelry has in fact begun ) to play host to two Emperors . It is clearly the efforts of Fletcher rather than those of Massinger which suited the play for its later spectacular operatic adaptation by Betterton and Purcell.63 ...
Strana 141
... perhaps because it lacks the exotic connotations of masque , does occur in figurative senses ( Pict . IV.iii . 22 , EE v . ii.99 ) . 34 For the masque as social index see also VW I.i.75 ; CM I.i.26 , II.ii.117 , IV.iv.96-8 ; The Spanish ...
... perhaps because it lacks the exotic connotations of masque , does occur in figurative senses ( Pict . IV.iii . 22 , EE v . ii.99 ) . 34 For the masque as social index see also VW I.i.75 ; CM I.i.26 , II.ii.117 , IV.iv.96-8 ; The Spanish ...
Strana 247
... perhaps best pinpointed by W.A. Neilson , for whom Shirley ' does not so often . sacrifice the unity of impression of the whole play , or the consistency of character , for the sake of single sensational scenes . Shirley's spectacular ...
... perhaps best pinpointed by W.A. Neilson , for whom Shirley ' does not so often . sacrifice the unity of impression of the whole play , or the consistency of character , for the sake of single sensational scenes . Shirley's spectacular ...
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action Actor actually already Antiochus appearance associations audience awareness become Cambridge captive Caroline Cavalier celebration ceremony characters chariot City clear contrast course court courtly dance death detail directions Domitian Drama draw Duke effects elements Elizabethan English enters entry example expression eyes fact feel Fletcher follows Fortune further give glorious glory Honour ideas important influence inner intended interest John King ladies later least less Lover masque Massinger Massinger's meaning moral nature once Oxford Peace performed perhaps physical play Poems political pomp possible present procession Queen reality references remains Renaissance Revels Roman Roman Actor royal scene seems seen sense Shakespeare significance similar simply slave spectacle spectacular spiritual stage suggest theatre theatrical tradition Tragedy triumph triumphal true victory virtue visual visual effects vols