"A Diamond, Though Set in Horn": Philip Massinger's Attitude to SpectacleInstitut für Anglistik und Amerikanistik, Universität Salzburg, 1984 - Počet stran: 282 |
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Strana 20
... points made by Wells and Brown ( and cp . especially Styan , 239 , 241 ) and ill with Massinger's practice . • · 35 Drame , 343. The aims of Ben Jonson do , at first sight , seem closer to Massinger's . They share something of the bias ...
... points made by Wells and Brown ( and cp . especially Styan , 239 , 241 ) and ill with Massinger's practice . • · 35 Drame , 343. The aims of Ben Jonson do , at first sight , seem closer to Massinger's . They share something of the bias ...
Strana 57
... points in the 1620s and 1630s , has its implications , moreover , for Massinger's attitude to contemporary spectacle . Belgarde reminds his social betters that ' Tis we that bring you in the meanes of feasts , / Banquets , and revels ...
... points in the 1620s and 1630s , has its implications , moreover , for Massinger's attitude to contemporary spectacle . Belgarde reminds his social betters that ' Tis we that bring you in the meanes of feasts , / Banquets , and revels ...
Strana 266
... point , whether about Leosthenes ' worthlessness or Antiochus ' higher victory . Elsewhere , when the visual focal points are included and drawn attention to , ideas are more directly translated into action : the court of Ladislaus is ...
... point , whether about Leosthenes ' worthlessness or Antiochus ' higher victory . Elsewhere , when the visual focal points are included and drawn attention to , ideas are more directly translated into action : the court of Ladislaus is ...
Běžně se vyskytující výrazy a sousloví
action Albanactus allegorical antimasque Antiochus Athenais audience Bashful Lover Bentley Bondman Caesar Cambridge captive Carlell Carnicelli celebration ceremony characters chariot City Madam Cleora conquered contemporary contrast costume court masque courtiers courtly Cupid dance Davenant Davenant's death detail Diocletian disguised Domitian Donusa dramatists Duke Elizabethan emblematic Emperor English entertainment entry exteriors Fiorinda Fletcher Fortune glorious glory Harbage Honoria Honour ideas influence Inigo Jones inner inset James Shirley Jonson King ladies later Leosthenes Luke masque Massinger's Mathias Matilda's moral neo-Platonic Oxford Pageantry pageants Pallantus passions Peace Philip Massinger physical Pisander play Poems pomp procession Pulcheria Queen realisation Renaissance Renegado Revels Revenger's Tragedy Roman Actor Roman triumphs royal scene seems Sforza Shakespeare Shepherd's Paradise shew Shirley Shirley's slave spectacle spectacular spiritual splendour stage directions suggest Tamburlaine theatre theatrical tradition Tragedy tragicomedy triumphal triumphant triumpher verbal victory virtue visual effects Vitelli vols