"A Diamond, Though Set in Horn": Philip Massinger's Attitude to SpectacleInstitut für Anglistik und Amerikanistik, Universität Salzburg, 1984 - Počet stran: 282 |
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Strana 23
... present on stage at the end of the play as , with the addition of speech and gesture , it was when he was alive ; but Fortinbras needs to give a precise order for its ceremonial removal : Let four captains Bear Hamlet like a soldier to ...
... present on stage at the end of the play as , with the addition of speech and gesture , it was when he was alive ; but Fortinbras needs to give a precise order for its ceremonial removal : Let four captains Bear Hamlet like a soldier to ...
Strana 24
... present in contemporary thought and practice and in Massinger's plays , that will although practical theatrical consider- ations will where possible also be taken into account be my primary focus . Pursuing rather fixed ideas himself ...
... present in contemporary thought and practice and in Massinger's plays , that will although practical theatrical consider- ations will where possible also be taken into account be my primary focus . Pursuing rather fixed ideas himself ...
Strana 172
... present is the reality accord- ing to which Luke is judged and found wanting . Massinger does not use this masque as the catalyst of another order : the magic , more clearly than in the case of Mathias , is entirely Luke's imagining ...
... present is the reality accord- ing to which Luke is judged and found wanting . Massinger does not use this masque as the catalyst of another order : the magic , more clearly than in the case of Mathias , is entirely Luke's imagining ...
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action Actor actually already Antiochus appearance associations audience awareness become Cambridge captive Caroline Cavalier celebration ceremony characters chariot City clear contrast course court courtly dance death detail directions Domitian Drama draw Duke effects elements Elizabethan English enters entry example expression eyes fact feel Fletcher follows Fortune further give glorious glory Honour ideas important influence inner intended interest John King ladies later least less Lover masque Massinger Massinger's meaning moral nature once Oxford Peace performed perhaps physical play Poems political pomp possible present procession Queen reality references remains Renaissance Revels Roman Roman Actor royal scene seems seen sense Shakespeare significance similar simply slave spectacle spectacular spiritual stage suggest theatre theatrical tradition Tragedy triumph triumphal true victory virtue visual visual effects vols