Horatian ode, 298. Hudibrastic couplet, 167. HUGO, V., pantoums of, 386. HUNT, L., on Coleridge's verse, 16 n.; on sonnets of Bowles, 278; on sonnets of Drummond, 274; on verse-form in poetry, 425 f.; Story of Rimini, 207 f.*; The Fish to the Man, 283*; Wealth and Womanhood, 266*. Hymn to the Virgin ("Blessed
beo thu"), 260*; ("Of on that is"), 87*.
Hypermetrical syllables, 58–60.
blank verse, 205; on Cowleyan ode, 308 f.; on Dryden's Killi- grew Ode, 310; on tone-color, 137; on verse-form in poetry, 417; Vanity of Human Wishes, 205.
JONSON, B.: Elegy, 74*; Epi- grams, 185*; Epitaph, 92*; Epitaph on Salathiel Pavey, 71*; Fit of Rhyme against Rhyme, 123; influence on classical school of verse, 186; Pindaric Ode, 299 f.*; Sad Shepherd, 225; Sejanus, 224*. Judas, 254.
KAWCZYNSKI, on alliteration, 117; on origin of alexandrine, 252. KEATS: Chapman's Homer, 282; Endymion, 209*; Eve of St. Agnes, 105 ; Grasshopper and Cricket, 282*; Hyperion, 242*; Isabella, 100*; Lamia, 8* ; Mermaid Tavern, 38*; Ode to Psyche, 143*; Sonnets of, 282; Sonnet to Haydon, 22*.
KENT, A. J., on verse of Leigh Hunt, 208 f.
King Horn, 154*.
KINGSLEY, C.: Andromeda, 354 KIPLING, R.: Last Chantey, 21 f.*; Mulholland's Contract, 65*; Song of the English, 49*; Wolcott Balestier, 44 f.*. KITTREDGE, G. L., on French decasyllabic couplet, 178.
JAMES I. (of Scotland): King's LACHMANN, on Anglo-Saxon verse,
Jesu for thi muchele miht, III*. JOHNSON, S.: Lonaon, 205; on
LANDOR: Children Playing in a Churchyard, 64*; English
Hexameters, 353*; on Milton's | LINDSAY, D.: Satyre of the Three
LANG, A. Ballade of Primitive Man, 365 f.*; Ballades of Blue China, 363, 365, 366; on Pope, 202 f.
LANGLAND: Piers Plowman, 119*. LANGTOFT, P. DE, Chronicle of, 82.
LANIER, S.: Ballad of Trees and
the Master, 131*; his theory of English verse, 391-393, 400; Science of English Verse cited, 21, 49.
LARMINIE, W., on assonance, 115; on quantity in English, 399; on rime, 123.
Latin septenarius, 259; relation
to ballad metre, 264. Latin verse, influence on octo- syllabic couplet, 160 f.; influ- ence on stanza, 63; rime in, 124 f.; used with Anglo-Saxon, 153.
Estates, 85*.
Little Soth Sermun, 261.
LLOYD, R., verses against blank verse, 239 n.*. LODGE: Phyllis, 273. LOK, sonnets of, 273. LONGFELLOW: Evangeline, 348*; Golden Legend, 48*, 51*; hex- ameters of, 348 f., 355; Hiawa- tha, 37*,408; Maidenhood, 64*; Saga of King Olaf, 30 f.*; Sonnets on Divina Commedia, 289*.
Love in Idleness, pantoum from, 386-388 *.
LOWELL: Commemoration Ode, 317*; on Gray's Progress of Poesy, 307; on Spenserian stanza, 103.
LUICK, on revival of alliterative verse, 156.
Lutel wot hit anymon, 174 f.*. LYDGATE, rime royal of, 94.
LAYAMON: Brut, 118*, 127*; LYLY: Woman in the Moon, 219.
LENTZNER, on the sonnet, 268, Malaysian verse, pantoum derived
Leonine rime, 132.
LEWIS, C. M., on octosyllabic coup-
let, 160 f.; on sources of Chau- cer's verse, 179.
LIDDELL, M., his theories of Eng- lish verse, 394 f., 401 n., 407.
MALHERBE, influence on heroic verse, 187.
MANNING, R.: Chronicle, 82*, 254*; Handlying Synne, 163*; simplifying of French metrical forms by, 82 f.
MARLOWE, blank verse of, 221;| MINOT, L.: Battle of Halidon
couplets of, 210; Faustus, 57*, 219f.*; Hero and Leander, 181*, 190; Jew of Malta, 139*; Tam- burlaine, 219*.
Misfortunes of Arthur, 219. MITCHELL, S. WEIR: Psalm of the Waters, 36*.
Marriage of Wit and Science, MOLZA, FRANCESCO, 216.
"Monk's Tale stanza," 97.
Monologue d'outre Tombe, 386*. MOODY, W. V.: Menagerie, 91 *; Ode in Time of Hesitation, 321- 323*.
MASSON, on Milton's tailed sonnet, MOORE, T.: Believe me, if all those
MAYOR, J. B.: Chapters on English Metre cited, 409; on Browning's blank verse, 249; on Ellis's view of accent, 4 n.; on substitutions of feet, 60.
MEREDITH, G.: Phaëthon, 339. Metre, its place and function in
Metrical romances, tail-rime in, 84.
MEYER, C. F., on rime, 123, 124. MIDDLETON, blank verse of, 228;
Changeling, 227 *.
MILL, J. S., on rhythm in poetry,
MILTON: At a Solemn Music, 329;
endearing young charms, 40*; Down in yon Summervale, 121 n.*; Go Where Glory Waits Thee, 33 f.*.
MORRIS, R., on early octosyllabic verse, 162.
MORRIS, W.: Earthly Paradise,
93 f.*, 173*; Fair Spring Morn- ing, 329; Folk-Mote by the River, 159*; Jason, 213 *.
MOULTON, R. G., on Browning's Caliban, 32.
MOUSSET, classical metres of, 331. Music, its relation to verse, 391-
396, 407 n., 413 f., 434-436. Must I be Carried to the Skies, 262*.
blank verse of, 232 f.; Il Pense- roso, 166 f.*; L'Allegro, 38*; Lycidas, 99*, 142*; Nativity Ode, 33*, 107*; On his Blind- ness, 275*; On Time, 329; Paradise Lost, 4*, 7*, 15*, 57*, 58*, 59*, 140 *, 141*, 230 f.*; | Ne mai no lewed, etc., 109 f.*. Passion, 94; Psalm II., 66*; NEWCOMER, A. G., on wrenched
Mystery plays, verse of, 94 f., 112, 265.
Psalm VI., 74*; Samson Agon- istes, 231 f.*, 323-325*; Sonnet on Piedmont Massacre, 141*; sonnets of, 276.
NASH, T., on English hexameters, 342; Preface to Menaphon, 215.
NEWMAN, metre of his Iliad trans. lation, 262.
NORDEN, on rime, 125.
Norse verse, influence on Anglo- | PHILIPS, J.: Cider, 238.
Saxon, 126; stanza in, 63. Nutbrowne Maide (ballad), 132*.
OCCLEVE, rime royal of, 94.
Octosyllabic couplet, 160-173.
PHILLIPS, S.: Marpessa, 251; Paolo and Francesca, 250 f.*. Phenix, 153*.
Pindaric ode, 298, 299–307.
Pitch-accent, so-called, 5 f.
OLDHAM, J.: Satires upon the Jes- POE: Lenore, 134*; on English
hexameter, 349; Rationale of
Poema Morale, 127 *, 260.
O'SHAUGHNESSY, A.: Fountain of POPE, A.: Essay on Criticism, 12*,
318*; on the ode, 319; Un- known Eros, 319.
Pauses, 16-23; varied to preserve metrical time, 404 f.
PAYNE, J., virelai of, 385.
57*, 142*, 199 f.*; Iliad, 200f.*; on verse of Denham and Waller, 188; on verse of Dryden, 194; rules of verse, 201 f.; Solitude, 27*.
Poulter's Measure, 255, 265 f. Pre-Raphaelites, 10.
Preservation of King Henry VII., 343.
PRIOR: Better Answer, 39*. Provençal, lyrical forms of, 358, 383. PUTTENHAM, G.: Arte of English Poesie cited, 8 n., 18, 94 n., 334 n.
Pyrrhic, 49, 55, 56.
Quantity in English, 391-406; in English verse, 330, 332 f., 338, 354 f., 356, 357- Quatrains, 69-77.
PEACOCK, T. L.: Misfortunes of Quinque Gaudia, 85*.
Elphin, 33*.
Pearl, The, 109 *.
PECK, S. M.: Under the Rose, 382*. PEELE: Arraignment of Paris, 218*.
PETRARCA: Sonnet, 271 * Phalacian verse, 331, 338.
RALEIGH, W.: Pilgrim to Pilgrim, 35 *.
RANCHIN: Triolet, 381*. READ, T. B.: Drifting, 88*. Refrain stanzas, 78–90. Regulae de Rhythmis, 81 *.
Rhythm, arts of, 413 f.; change of, 53-55, 61.
Rhythmus, meaning of, 124. RICH, B.: Don Simonides, 219. RIEGER, on rime in Anglo-Saxon, 126 n.
Rime, 113, 121-135; as organizer of stanza, 63; broken, 131 f.; defended by Daniel, 336 n.; feminine, 121, 128 f.; functions of, 122; imperfect, 122 n.; in Butler's Hudibras, 167 f.; in drama, 196-199; internal, 132- 135 (in ballads, 70; in Middle English alexandrines, 255; in sep- tenary, 259–261); objections to, 122 f.; origin of, 123-125; sus- pected by classicists, 214, 232, 330; triple, 121, 128–131.
Love's Nocturn, 146*; My Sister's Sleep, 75*; on Dray. ton's sonnet, 293; Penumbra, 135*; Rose Mary, 91*; Sister Helen, 80*; sonnets of, 285; Sunset Wings, 89*; To Death. (rondeau), 374*; Willowwood,
Roundel, in Chaucer, 369; Swin burne's form of, 376. ROWLANDS, S., verse of, 190. "Run-on" lines, 19 (see also En- jambement).
RUSSELL, T., sonnets of, 277.
SACKVILLE: Mirror for Magis- trates, 94.
SACKVILLE (and NORTON): Gor- boduc, 217*.
Rime couée, 80-86; in French, 81; SAINTSBURY, on alexandrine,
Rime royal, 93 f.; in Chaucer's
Riming Poem (Anglo-Saxon),
258 f.; on Blair, 237; on Dry- den's couplet, 194 f.; on Dry- den's dactyls, 40; on heroic stanza, 73; on Shenstone, 35 f.; on Thomson, 238.
Robert of GLOUCESTER: Chroni- SANDYS, G., heroic couplets of,
ROBERTSON, J. M., his theories of
English verse, 24 n., 392-394, 400, 403.
189 f., 191; influence on Pope's verse, 201; Metamorphoses, 191*; Paraphrase of Luke, 63*. Satire, heroic couplet in, 181, 182, 183, 206.
Robin Hood (ballad), 70 *, 263 *. Roland, Chanson de, 113 f.*. Romance languages, assonance in, | Scandinavian verse, influence in
Satire on People of Kildare, 91*.
Romance metres, regular time-in- | SCHELLING, F. E., on Campion's
tervals in, 12, 14 n. Rondeau, 368, 371–376. Rondel, 368–371.
ROSSETTI: Ballad of Dead Ladies, 362 f.*; Blessed Damozel, 7*; House of Life, 284*, 285*;
classical metres, 335 f.; on in- fluence of Jonson's verse, 186; on Raleigh's anapests, 35. SCHILLER, elegiac distich of, 346; on rhythm in the drama, 433. SCHIPPER, on accent, 3; on Anglo-
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