RBPH, Svazek 61,Díly 3–4Fondation universitaire, 1983 |
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Strana 543
... play within the play Shakespeare directs and manipulates theatrical conventions to help define the subtleties of Hamlet's conflict . Shakespeare , with flamboyant intent , repeatedly calls our attention to the fact that Hamlet is a play ...
... play within the play Shakespeare directs and manipulates theatrical conventions to help define the subtleties of Hamlet's conflict . Shakespeare , with flamboyant intent , repeatedly calls our attention to the fact that Hamlet is a play ...
Strana 544
... play , mainly because at this point ( III , ii ) , we are watching two plays ; yet Shakespeare has so created Hamlet ... play ( 6 ) . But Shakespeare will not allow him to . He does allow Hamlet to confirm the play metaphor , however ...
... play , mainly because at this point ( III , ii ) , we are watching two plays ; yet Shakespeare has so created Hamlet ... play ( 6 ) . But Shakespeare will not allow him to . He does allow Hamlet to confirm the play metaphor , however ...
Strana 547
... play . Thus , pantomine becomes part of the play , and a direct relationship between the dumb show presenter and his audience occurs . The second mime occurs at the end of Act IV ; and though it is within the physical structure of the ...
... play . Thus , pantomine becomes part of the play , and a direct relationship between the dumb show presenter and his audience occurs . The second mime occurs at the end of Act IV ; and though it is within the physical structure of the ...
Obsah
HAMBLENNE P Une editio maior dAccius 1 160 | 591 |
OOMEN I Determination bei generischen definiten und indefiniten | 609 |
HUYSMANS C Geschriften en Documenten Deel VI H Van Velthoven 2 519 | 611 |
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