Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - Počet stran: 240 |
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Strana 39
... force that counterbalances the centrifugal force represented by embodiment . " As I Ebb'd with the Ocean of Life , " another poem from the 1860 edition , describes a crisis of representation that Whitman inherited from Emerson ; as in ...
... force that counterbalances the centrifugal force represented by embodiment . " As I Ebb'd with the Ocean of Life , " another poem from the 1860 edition , describes a crisis of representation that Whitman inherited from Emerson ; as in ...
Strana 135
... force of his own image , using the accompanying explanatory text instead to castigate the residents of Cold Harbor , Virginia , for allowing the Union dead to remain unburied and thus preventing their natural return to the land . When ...
... force of his own image , using the accompanying explanatory text instead to castigate the residents of Cold Harbor , Virginia , for allowing the Union dead to remain unburied and thus preventing their natural return to the land . When ...
Strana 188
... force ( the " midnight roll / Of black artillery " ) , identified specifically with the rule of law in the figure of " Draco , " was the only effective means to enforce compliance with the draft.17 The " Town , " that is , the ...
... force ( the " midnight roll / Of black artillery " ) , identified specifically with the rule of law in the figure of " Draco , " was the only effective means to enforce compliance with the draft.17 The " Town , " that is , the ...
Obsah
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Autorská práva | |
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adhesiveness aesthetic album allegory American antebellum Antietam appears argues army Atlanta Barnard battle Battle-Pieces body politic Brady Brady's camera Civil claims Confederate conventions corpse cultural daguerreotype dead death describes displaced disruption Drum-Taps economic edition of Leaves embodiment example exchange experience Federal figure Gardner's Photographic Sketch genre Gettysburg harmony Harper's Weekly history painting Holmes human ideal ideological individual interdiction labor land landscape Leaves of Grass legitimate Leo Marx Library of Congress Lincoln means Melville Melville's Memoranda metaphor military Moby-Dick narrative nature Northern organicist painting pastoral mode photographic representation Photographic Sketch Book Photographic Views picturesque plate poem poet poetry political representation portrait produced recuperate represented restorative rhetoric sacrifice scene seems semiotic sense Sherman's Campaign significant soldiers Southern Specimen Days structure suggests synecdoche textual Thomas Cole Thomas Nast topoi traces trope typification Union Views of Sherman's violence visual War photography White-Jacket Whitman wounded