Michael ChekhovPsychology Press, 2004 - Počet stran: 152 All books in the Routledge Performance Practitioners series are carefully designed to enable the reader to understand the work of a key practitioner. They provide the first step towards critical understanding and a springboard for further study for students on twentieth century, contemporary theatre and theatre history courses. Michael Chekhov's unique approach to and lasting impact on actor training is only now beginning to be fully appreciated. This volume provides, for the first time, a fully comprehensive introduction to his life and times, his most notable productions, his classic writings and his practical exercises. Franc Chamberlain unravels Chekhov's contributions to modern theatre through:
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action actor Anthroposophy Anton Chekhov approach artistic atmosphere audience aware Bardell Beatrice Straight begin Broadway character character's Chekhov considered Chekhov suggests Chekhov wants Cluppins Craig creative individuality critics Dartington develop difficult director Dorothy Elmhirst Dostoevsky dream emotion memory energy ensemble eurythmy everyday example exercises experience explore feeling of ease film going Group Theatre Hamlet higher ego Hollywood humour Hurd Hatfield idea imaginary body imaginary centre imagination important inner gesture Jack Colvin keep a sense kind Lee Strasberg legato Mala Powers Max Reinhardt Meyerhold Michael Chekhov Moscow Art Theatre move movement notice objective Once onstage ourselves pause pay attention performance person physical Pickwick play Possessed production psychological gesture radiating realism rehearsal Ridgefield role Romeo Russian scene sense of contact socialist realism space stage Stanislavsky Stavrogin Studio style Technique of Acting transform Twelfth Night Vakhtangov Verkhovensky whole body