 | 1803 - 296 str.
...therefore deserves to be more attentively considered. To imitate the fictions and sentiments of Spenser can incur no reproach ; for allegory is perhaps one...am very far from extending the same respect to his die.tion or his stanza. His style was in his own time allowed to be vicious, so darkened with old words... | |
 | Samuel Johnson - 1806 - 424 str.
...therefore deserves to be more attentively considered. To imitate the fictions and sentiments of Spenser can incur no reproach, for allegory is perhaps one...with old words and peculiarities of phrase, and so remo-ta from common use, that Johnson boldly pronounces him to hnre •Britten no language. His stanza... | |
 | Samuel Johnson - 1810 - 464 str.
...therefore deserves to be more attentively considered. To imitate the fictions and sentiments of Spenser can incur no reproach, for allegory is perhaps one...stanza. His style was in his own time allowed to be vitious, so darkened with old words and peculiarities of phrase, and so remote from common use, that... | |
 | Samuel Johnson - 1810 - 460 str.
...therefore deserves to be more attentively considered. To imitate the fictions and sentiments of Spenser can incur no reproach, for allegory is perhaps one...stanza. His style was in his own time allowed to be vitious, so darkened with old words and peculiarities of phrase, and so remote from common use, that... | |
 | 1810 - 462 str.
...theretore deserves to be more attentively considered. To imitate the fictions and sentiments of Sfrenser can incur no reproach, for allegory is perhaps one...stanza. His style was in his own time allowed to be vitious, so darkened with old words and peculiarities of phrase, and so remote from common use, that... | |
 | Samuel Johnson - 1816 - 464 str.
...deserves to be more attentively considered. *• To imitate the fictions and sentiments of Spenser can incur no reproach, for allegory is perhaps one...peculiarities 'of phrase, and so remote from common use, that Jonson boldly pronounces him to have written no language. His stanza is at once difficult and unpleasing... | |
 | Samuel Johnson, Arthur Murphy - 1820 - 456 str.
...therefore deserves to be more attentively considered. To imitate the fictions and sentiments of Spenser can incur no reproach, for allegory is perhaps one...peculiarities of phrase, and so remote from common use, that Jonson boldly pronounces him " to have written no language." His stanza is at once difficult and unpleasing... | |
 | Samuel Johnson, Arthur Murphy - 1820 - 462 str.
...instruction. But I am t^_M,--•,--**.* - •wMrfw.SS*w»w-*-*"*--.*••»*-* ^WW********-*!*• very far from extending the same respect to his diction...stanza. His style was in his own time allowed to be vitious, so darkened with old words and peculiarities of phrase, and so remote from common use, that... | |
 | British essayists - 1823 - 820 str.
...therefore deserves to be more attentively considered. To imitate the fictions and sentiments of Spenser can incur no reproach, for allegory is perhaps one...peculiarities of phrase, and so remote from common use, that Jonson boldly pronounces him to have written no language. His stanza is at once difficult and unpleasing... | |
 | Samuel Johnson, Arthur Murphy - 1823 - 514 str.
...therefore deserves to be more attentively considered. To imitate the fictions and sentiments of Spenser can incur no reproach, for allegory is perhaps one...peculiarities of phrase, and so remote from common use, that Jonson boldly pronounces him to have written no language. His stanza is at once difficult and unpleasing... | |
| |
To imitate the fictions and sentiments of Spenser can incur no reproach, for allegory is perhaps one of the most pleasing vehicles of instruction. But I am very far from extending the same respect to his diction or his stanza. His style was in his own... 
