Certain Relations Between Poetic Style and Characterization in Elizabethan DramaStanford University, 1957 - Počet stran: 172 |
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Strana 27
... involved . This is obviously a very economical figure , for it eliminates an enumeration of the individual's various qualities ; and it is also a powerful tool of argument , because of its broad implications . Cassius uses it several ...
... involved . This is obviously a very economical figure , for it eliminates an enumeration of the individual's various qualities ; and it is also a powerful tool of argument , because of its broad implications . Cassius uses it several ...
Strana 30
... involved repetition and would therefore not usually be associated with a simple style , in this case they function to emphasize the content of the speech , rather than to involve the thought further . This is true even where the ...
... involved repetition and would therefore not usually be associated with a simple style , in this case they function to emphasize the content of the speech , rather than to involve the thought further . This is true even where the ...
Strana 52
... involved sound - patterns of many of Iago's lines . The high style of speech is not peculiar to Othello alone . in general , that of Desdemona , the Duke , the senators , and Cassio . It is , This clearly shows that , by the time the ...
... involved sound - patterns of many of Iago's lines . The high style of speech is not peculiar to Othello alone . in general , that of Desdemona , the Duke , the senators , and Cassio . It is , This clearly shows that , by the time the ...
Obsah
MARLOWE AND THE BEGINNINGS OF A METHOD | 8 |
SHAKESPEARE AND SOPHISTICATED HANDLING OF STYLE | 21 |
WEBSTER AND JONSON | 64 |
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action alliteration anaphora antanaclasis antonomasia Antony appears argument attitude basic becomes blank verse Bosola caesurae Cassius characterization clauses Clemen comedy concise couplets Desdemona detail dialogue diction dignified discourse Doctor Faustus doth dramatic personalities dramatist Duchess of Malfi Edward Edward II effective elements Elizabethan drama emotional enjambment erotema euphuistic style example exsufflicate feature Ferdinand following passage Gaveston hath haue honourable Iago imagery indicate individual involved isocolon Jonson and Webster Julius Caesar king language lines major characters manner of speaking manner of speech Marlowe mature moral Mortimer noble Othello particular passion pattern play poetic style poetry polyptoton presentation of character Prof prose qualities reason repetition reveal rhetorical figures rhetorical question rhythm Rome scene Sejanus sentence and phrase sententiae set speeches Shakespeare shows significant soliloquy sophisticated structural figures stylistic devices synonymia thee thou thought in different tragedy variations in style various White Devil whore words