Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Obsah
The Powerless Theater I | 1 |
Historical Interpretation and the | 25 |
The Knowledge Marketplace | 45 |
Instituting Mirth in Renaissance Comedy | 65 |
Reflections of Theater in the Tragic Glass from | 93 |
Orality Voice and the | 129 |
Notes | 171 |
Works Cited | 193 |
205 | |
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Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ... Paul Yachnin Zobrazení fragmentů - 1997 |