Complex Pleasure: Forms of Feeling in German LiteratureStanford University Press, 1998 - Počet stran: 243 Complex Pleasure deals with questions of literary feeling in eight major German writers Lessing, Kant, Hölderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin. On the basis of close readings of these authors Stanley Corngold makes vivid the following ideas: that where there is literature there is complex pleasure; that this pleasure is complex because it involves the impression of a disclosure; that this thought is foremost in the minds of a number of canonical writers; that important literary works in the German tradition fiction, poetry, critique can be illuminated through their treatment of literary feeling; and, finally, that the conceptual terms for these forms of feeling continually vary. The types of feeling treated in Complex Pleasure include wit (the startling perception of likeness) and the disinterested pleasure of aesthetic judgment; Hölderlin s swift conceptual grasp, in which the tempo of the process of thought is stressed ; artistic imagination, mood, sadistic enjoyment, rapturous distraction, homonymic dissonance, and courage as a mode of literary experience. At the same time, through the deftness, range, and surprise of its execution, the book itself conveys complex pleasure. The reader will also find fascinating, hitherto untranslated material by Nietzsche ( On Moods ) and Kafka (important sections from his journals and from his unfinished novel The Boy Who Sank Out of Sight). |
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Obsah
Introduction | 1 |
Proem | 22 |
What Is Radical in Kants Critique of Aesthetic | 48 |
Hölderlins Swift Conceptual Grasp | 59 |
Nietzsches Moods | 79 |
Telling Sadism in Musils Young Törless | 103 |
Kafkas The Boy Who Sank | 121 |
Hearing Homonymy in Trakls De Profundis | 139 |
Benjamins Affective Understanding of Hölderlins | 150 |
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Complex Pleasure: Forms of Feeling in German Literature Stanley Corngold Náhled není k dispozici. - 1998 |
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aesthetic experience aesthetic judgment apperception artistic Ästhetik Basic Writings Basini beautiful Benjamin's essay Birth of Tragedy Blödigkeit Boy Who Sank Brunelda character cognitive complex pleasure consciousness criticism Critique of Judgment Dionysian disclosure distinction Elective Affinities Empedocles faculties figure Frankfurt a.M. Franz Kafka Friedrich Hölderlin Friedrich Nietzsche genius Georg Trakl German Gesammelte Schriften Goethe Heidegger Heidegger's hence homonym imagination intellectual Kant Kant's Karl kind language Lessing Lessing's literature logic Max Brod means ment metaphor mode modern mood moral Musil myth narrative narrator nature Nietz Nietzsche Nietzsche's novel object passage perception philosophy poem poet Poet's Courage poetic poetry produce reading reflection rhetoric Robert Musil Sämtliche Werke sense sort soul speaks Stanley Corngold stress Suhrkamp swift conceptual grasp temporal tension term thetic things thought Timidity tion Trakl trans truth unity University Press Walter Benjamin Walter Kaufmann word York Young Törless