LIST OF ENGRAVINGS IN THIS VOLUME..

I. A Portrait from Real Life. Engraved by J. H. and W. H. Watt;
from a Drawing by A. E. Chalon, R. A., in the possession of
Alaric A. Watts
(Frontispiece.)

II. Scene from the Gismunda of Silvio Pellico. Engraved by
M. J. Danforth (Vignette Title); from a Design by A. E.
Chalon, R. A.

III. Peasants of the Kingdom of Naples. Engraved by E. J.
Portbury; from a Painting by H. Howard, R. A., in the
possession of the Artist.

IV. The Vintage. Engraved by J. Goodyear; from a Painting
by T. Stothard, R. A., in the possession of Alaric A. Watts..
V. Ruins; Sunset. Engraved by Robert Wallis; from a Drawing
by D. Roberts, in the possession of Alaric A. Watts..
VI. The Deserted. Engraved by M. J. Danforth; from a Picture
by G. S. Newton, R. A., in the possession of the Right
Honourable Lady Dover.

VII. Diana Vernon. Engraved by H. Cook; from a Drawing
by J. W. Wright.

VIII. The Storm in Harvest. Engraved by J. Outrim, from a
Drawing by R. Westall, R. A., in the possession of the Artist
IX. Haunts of the Sea Fowl. Engraved by J. Stephenson; from
a Picture by W. Collins, R. A., in the possession of Alaric
A. Watts.

X. The First Interview of Henri IV. and Gabrielle d'Etrées.
Engraved by R. Staines; from a Picture by R. Westall,
R. A., in the possession of Alaric A. Watts.

XI. The Billet Doux. Engraved by S. Sangster; from a Picture by G. S. Newton, R. A., in the Collection of Joseph Neild, Esq. of Grosvenor Square.

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20

26

32

46

56

61

68

75

85

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97

XII. Prawn Fishers. Engraved by E. Perriam; from a Picture
by W. Collins, R. A., in the possession of His Majesty
XIII. Gulnare. Engraved by H. Robinson; from a Picture by
J. Hollins, in the possession of the Artist
XIV. The Twin Sisters. Engraved by W. H. Simmonds; from
a Picture by the late Sir Thomas Lawrence, P. R. A.
XV. Dorothea. Engraved by J. Goodyear; from a Picture by
J. G. Middleton, in the possession of the Artist.
XVI. Sunset. Engraved by W. Hill; from a Drawing by G.
Barret, in the possession of Alaric A. Watts.
XVII. The Key Note. Engraved by Peter Lightfoot; from a
Picture by J. G. Middleton, in the possession of the Artist. 123
XVIII. La Pensée. Engraved by L. Stocks; from a Drawing by
F. Stone, in the possession of Alaric A. Watts.

XIX. Interior of the Cathedral of St. Ouen. Engraved by S.
Salmon; from a Drawing by R. P. Bonington, in the
Palace of the Palais Royal.

XX. Milton's Euphrosyne. Engraved by L. Stocks; from a Gallery Picture by T. Stothard, R. A., in the possession of Alaric A. Watts.

XXI. A Fisher Girl of Calais. Engraved by Peter Lightfoot; from a Drawing by E. V. Rippingille, in the possession of Alaric A. Watts.

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113

153

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166

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174

XXII. An Ancient Garden. Engraved by W. Hill; from a
Drawing by W. Danby, A. R. A., in the possession of Alaric
A. Watts.
XXIII. Venice. Engraved by J. Thomas; from a Drawing by
C. Bentley, in the possession of Alaric A. Watts.
• 207
XXIV. Austrian Peasants on a Pilgrimage to the Monastery of
Gottiewig. Engraved by T. S. Engleheart; from a Picture
by G. R. Lewis, in the collection of Congreve Russell, Esq. 220
XXV. Italian Peasant. Engraved by Robert Hart; from a Pic-
ture by H. W. Pickersgill, R. A., in the collection of Peter
Norton, Esq.

223

THE PAINTER'S DREAM.

BY ALARIC A. WATTS.

I.

HERE let me rest; a dewy fragrance breathes,

In gentlest whispers, from the plains around,
Whilst o'er my head, in green and graceful wreaths,
The o'erarching vine its wandering shoots hath wound:
What rainbow hues yon bright horizon bound!
What golden gleams yon sleeping spires invest!
Here let me pause, it is enchanted ground!

Hence, let me brood upon yon burning West, Where sun-touched Florence lies like Love on Beauty's

breast!

II.

But not alone to chain the roving eye,

Doth yon fair scene its magic marvels spread ;
It hath a holier spell, a charm more high-
The haunt, the birthplace of the glorious dead!
There Raffaelle oft his heavenly fancy fed

With thoughts and visions all too pure for earth;
There Buonaroti's dreams, of darkness bred,

And Hell's wild grandeur, taste-sublimed had birth; Two bright but differing stars, of kindred fame and worth.

B

III.

Unequalled masters of that Art divine Which makes our visions palpable as bright! 'Neath whose keen eye, and touch creative, shine Unnumbered shapes of wonder and delight; Surpassing rivals in fame's boundless flight; Twin heirs of Genius and her broad domain; One, seeking sunshine in the realms of light, The other, courting Horror's grisly train, And drawing strength from Hate, sublimity from Pain!

IV.

Transcendent Raffaelle, thy accomplished mind,
Irradiate, teemed with beauty, love, and grace !
What pure simplicity, by taste refined,
In all thy forms, the studious eye may trace !
What seraph brightness breathes from every face
Thy glowing mind hath on thy canvass poured;
How doth thy might his humbled heart abase,
Who seeks, a votary true, thy shrine adored,
To win a touch, a charm,—and his despair record!

V.

Nor less his fame, to whose proud hand 't was given, The Judgment Day's terrific tale to tell; Who, if he sometimes caught his fire from Heaven, Would oftener snatch it from the depths of Hell; The fiercer passions owned his wondrous spell; Titanic grief that will not yield to Time; Revenge, Remorse, and Hate unquenchable,— The weltering offspring of Despair and Crime,Touched by his wand, uprise in agony sublime!

VI.

But, lo! what Vision bursts upon my sight!
What shapes, what hues, yon opening doors unfold!
What rainbow forms are glancing in the light
Showered from yon gorgeous roof of fretted gold!
Whence spring the dazzling tints I now behold?
Where am I, where? — I live, I breathe again !

What glorious triumphs of the days of old

Are gathered 'round: Ausonia, France, and Spain, Your brightest dreams I see; I have not toiled in vain!

VII.

There Guido's Mary looks in faith on high;
There Salvi's Nun in silent prayer doth bow;

There Claude's bright rippling wave and sunset sky,
Salvator's storm-rent rock and mountain brow,
And Poussin's classic glooms are gathering now;
There Carlo Dolci's matchless anguish droops;
There golden Titian's living beauties glow;

There graceful Watteau spreads his courtly groups;
And 'neath his ponderous Cross Del Sarto's Saviour stoops!

VIII.

There bright Giorgione's blue-eyed consort shines,

A rival star to Titian's gay brunette;

There pure Coreggio's reading mourner pines ;

And crystal Cuyp's delicious sun hath set;

There Spagnoletto's dying Anchoret,

And Caravaggio's slaughtered Martyrs lie;

There deep clear Ruysdael's Twilight lingers yet;
Romano's battle steeds are thundering by;

And Cagliari's Feast salutes the broad blue sky!