Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Svazek 79Gale Research Company, 1984 |
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Strana 132
... audience a deep fascination for his craft , a fascination that widens the distance between them and the protagonist since the latter's otherness is intensified by his facile surrender to Iago's subterfuge . The audience may feel pity ...
... audience a deep fascination for his craft , a fascination that widens the distance between them and the protagonist since the latter's otherness is intensified by his facile surrender to Iago's subterfuge . The audience may feel pity ...
Strana 143
... audience both humour and homiletic instruction . Above all , he was an amoral being whose behaviour was completely unmotivated - he simply demonstrated the nature of the abstraction he represented . In this respect , as Spivack points ...
... audience both humour and homiletic instruction . Above all , he was an amoral being whose behaviour was completely unmotivated - he simply demonstrated the nature of the abstraction he represented . In this respect , as Spivack points ...
Strana 380
... audience interpretation Julius Caesar 48 : 240 audience perception The Comedy of Errors 1 : 37 , 50 , 56 ; 19 : 54 ; 34 : 258 ; 54 : 136 , 144 ; 77 : 2 , 44 King Lear 19 : 295 ; 28 : 325 ; 61 : 176 ; 72 : 228 , 234 Richard II 24 : 414 ...
... audience interpretation Julius Caesar 48 : 240 audience perception The Comedy of Errors 1 : 37 , 50 , 56 ; 19 : 54 ; 34 : 258 ; 54 : 136 , 144 ; 77 : 2 , 44 King Lear 19 : 295 ; 28 : 325 ; 61 : 176 ; 72 : 228 , 234 Richard II 24 : 414 ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorská práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Svazek 28 Zobrazení fragmentů - 1984 |
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