Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Svazek 79Gale Research Company, 1984 |
Vyhledávání v knize
Výsledky 1-3 z 85
Strana 37
... become a tongueless mouth , his text a " Turkish mute . " 9921 Whom does Henry murder ? First Falstaff , as Nell ( " the ... becomes as cold as a stone . What Nell almost tells us , but does not , is that Fal- staff's warm " tennis ball ...
... become a tongueless mouth , his text a " Turkish mute . " 9921 Whom does Henry murder ? First Falstaff , as Nell ( " the ... becomes as cold as a stone . What Nell almost tells us , but does not , is that Fal- staff's warm " tennis ball ...
Strana 166
... becomes Iago's stage . Mr. Hughes is expert in clearly configuring his cast members in the patterns of chess figures as seen through Iago's eyes . Robert Wierzel's superb lighting takes us directly into the overheated workshop of Iago's ...
... becomes Iago's stage . Mr. Hughes is expert in clearly configuring his cast members in the patterns of chess figures as seen through Iago's eyes . Robert Wierzel's superb lighting takes us directly into the overheated workshop of Iago's ...
Strana 188
... becomes real as soon as it is perceived , is jealously . Iago's suc- cess bears witness that this self - authenticating , self- consuming emotion need only be entertained as a pos- sibility for it to become real . Iago himself is not ...
... becomes real as soon as it is perceived , is jealously . Iago's suc- cess bears witness that this self - authenticating , self- consuming emotion need only be entertained as a pos- sibility for it to become real . Iago himself is not ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorská práva | |
Další části 14 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Shakespearean Criticism: Excerpts from the Criticism of William ..., Svazek 28 Zobrazení fragmentů - 1984 |
Běžně se vyskytující výrazy a sousloví
action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York