Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Svazek 79Gale Research Company, 1984 |
Vyhledávání v knize
Výsledky 1-3 z 49
Strana 105
... opening scene . As well as being a great orator , Henry excels in four areas : he can " reason in divinity , " he is an expert in " commonwealth affairs , " his " discourse of war " is highly impressive , and he can expound on " any ...
... opening scene . As well as being a great orator , Henry excels in four areas : he can " reason in divinity , " he is an expert in " commonwealth affairs , " his " discourse of war " is highly impressive , and he can expound on " any ...
Strana 225
... opening of the next scene . In meter , rhythm , and idiom , the speech is like his previ- ous one . This time , however , he chooses to convey in mid - speech some of the happenings in the highly styl- ized form of a dumbshow . He does ...
... opening of the next scene . In meter , rhythm , and idiom , the speech is like his previ- ous one . This time , however , he chooses to convey in mid - speech some of the happenings in the highly styl- ized form of a dumbshow . He does ...
Strana 348
... opening six lines present the reader with three movements of pursuit and one clear instance of abandonment . The larger narrative movement of pursuit and abandonment in the poem is thus encapsulated in this opening stanza as the first ...
... opening six lines present the reader with three movements of pursuit and one clear instance of abandonment . The larger narrative movement of pursuit and abandonment in the poem is thus encapsulated in this opening stanza as the first ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorská práva | |
Další části 14 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Shakespearean Criticism: Excerpts from the Criticism of William ..., Svazek 28 Zobrazení fragmentů - 1984 |
Běžně se vyskytující výrazy a sousloví
action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York