Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Svazek 79Gale Research Company, 1984 |
Vyhledávání v knize
Výsledky 1-3 z 72
Strana vii
... provides students , educators , theatergoers , and other interested readers with valuable insight into Shakespeare's drama and poetry . A multiplicity of viewpoints documenting the critical reaction of scholars and commentators from the ...
... provides students , educators , theatergoers , and other interested readers with valuable insight into Shakespeare's drama and poetry . A multiplicity of viewpoints documenting the critical reaction of scholars and commentators from the ...
Strana 208
... provides the basis for la- go's seduction of Roderigo , Brabantio , and Othello , while her position as Othello's wife provides the ground on which lago's vengeance operates . Iago recognizes power when he meets it . He recognizes the ...
... provides the basis for la- go's seduction of Roderigo , Brabantio , and Othello , while her position as Othello's wife provides the ground on which lago's vengeance operates . Iago recognizes power when he meets it . He recognizes the ...
Strana 361
... provides the poem another arena for working through the differences between the mythic / conventional and the historical / particular modes of nar- rative , desire , and subjectivity . Like the actual metamor- phosis that closes the ...
... provides the poem another arena for working through the differences between the mythic / conventional and the historical / particular modes of nar- rative , desire , and subjectivity . Like the actual metamor- phosis that closes the ...
Obsah
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Autorská práva | |
Další části 14 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Shakespearean Criticism: Excerpts from the Criticism of William ..., Svazek 28 Zobrazení fragmentů - 1984 |
Běžně se vyskytující výrazy a sousloví
action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York