Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 100
... English prose , which the criticks have now to seek in Saxo Grammaticus . His English histories he took from English chronicles and English ballads ; and as the ancient writers were made known to his countrymen by versions , they sup ...
... English prose , which the criticks have now to seek in Saxo Grammaticus . His English histories he took from English chronicles and English ballads ; and as the ancient writers were made known to his countrymen by versions , they sup ...
Strana 103
... English . What can be more probable , than that he who copied that , would have copied more ; but that those which were not translated were inac- cessible ? Whether he knew the modern languages is uncertain . That his plays have some ...
... English . What can be more probable , than that he who copied that , would have copied more ; but that those which were not translated were inac- cessible ? Whether he knew the modern languages is uncertain . That his plays have some ...
Strana 369
... English House- hold , what item is there that we would not surrender rather than him ? Consider now , if they asked us , Will you give up your Indian Empire or your Shakspeare , you English ; never have had any Indian Empire , or never ...
... English House- hold , what item is there that we would not surrender rather than him ? Consider now , if they asked us , Will you give up your Indian Empire or your Shakspeare , you English ; never have had any Indian Empire , or never ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers