Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 156
... become the ground of so general a censure . We see this extraordinary Character , almost in the first moment of our acquaintance with him , in- volved in circumstances of apparent dishonour ; and we hear him familiarly called Coward by ...
... become the ground of so general a censure . We see this extraordinary Character , almost in the first moment of our acquaintance with him , in- volved in circumstances of apparent dishonour ; and we hear him familiarly called Coward by ...
Strana 165
... becomes an humourist , grows enormously corpulent , and falls into the infirmities of age ; yet never quits , all the ... become the most perfect Comic character that perhaps ever was exhibited . It may not possibly be wholly amiss to ...
... becomes an humourist , grows enormously corpulent , and falls into the infirmities of age ; yet never quits , all the ... become the most perfect Comic character that perhaps ever was exhibited . It may not possibly be wholly amiss to ...
Strana 217
... crests , and tombs of brass are spent . Sonnet 107 . As of higher worth , so doubtless still more charac- teristic of poetic genius does the imagery become , when it moulds and colors itself to the circumstances , passion POETIC POWER 217.
... crests , and tombs of brass are spent . Sonnet 107 . As of higher worth , so doubtless still more charac- teristic of poetic genius does the imagery become , when it moulds and colors itself to the circumstances , passion POETIC POWER 217.
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers