Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 27
... Comedy amongst ' em . That way of Trage - Comedy was the common Mistake of that Age , and is indeed become so agreeable to the English Tast , that tho ' the severer Critiques among us cannot bear it , yet the generality of our Audiences ...
... Comedy amongst ' em . That way of Trage - Comedy was the common Mistake of that Age , and is indeed become so agreeable to the English Tast , that tho ' the severer Critiques among us cannot bear it , yet the generality of our Audiences ...
Strana 74
... comedy are amazing ! In the principal points , in the power of exciting terror and pity , or raising laughter in an audience , none yet has excelled him , and very few have equalled . Boileau . Do you think that he was equal in comedy ...
... comedy are amazing ! In the principal points , in the power of exciting terror and pity , or raising laughter in an audience , none yet has excelled him , and very few have equalled . Boileau . Do you think that he was equal in comedy ...
Strana 301
... comedy of nature , and it is the comedy which we generally find in Shakespear.- Whether the analysis here given be just or not , the spirit of his comedies is evidently quite distinct from that of the authors above mentioned , as it is ...
... comedy of nature , and it is the comedy which we generally find in Shakespear.- Whether the analysis here given be just or not , the spirit of his comedies is evidently quite distinct from that of the authors above mentioned , as it is ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers