Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 45
... common Old Stories or Vulgar Traditions of that kind of people . In Tragedy , nothing was so sure to Surprize and cause Admiration , as the most strange , un- expected , and consequently most unnatural , Events and Incidents ; the most ...
... common Old Stories or Vulgar Traditions of that kind of people . In Tragedy , nothing was so sure to Surprize and cause Admiration , as the most strange , un- expected , and consequently most unnatural , Events and Incidents ; the most ...
Strana 99
... common appearances is always welcome to vulgar , as to childish credulity ; and of a country unenlightened by learning , the whole people is the vulgar . The study of those who then aspired to plebeian learning was laid out upon ...
... common appearances is always welcome to vulgar , as to childish credulity ; and of a country unenlightened by learning , the whole people is the vulgar . The study of those who then aspired to plebeian learning was laid out upon ...
Strana 284
... common purposes of effect , and satis- fied the ambition of an ordinary painter of character . Shakespear has laboured the finer shades of difference in both with as much care and skill as if he had had to de- pend on the execution ...
... common purposes of effect , and satis- fied the ambition of an ordinary painter of character . Shakespear has laboured the finer shades of difference in both with as much care and skill as if he had had to de- pend on the execution ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers