Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 83
... distinct kind ; exhibiting the real state of sublunary nature , which partakes of good and evil , joy and sorrow , mingled with endless variety of proportion and innu- merable modes of combination ; and expressing the course of the ...
... distinct kind ; exhibiting the real state of sublunary nature , which partakes of good and evil , joy and sorrow , mingled with endless variety of proportion and innu- merable modes of combination ; and expressing the course of the ...
Strana 158
... distinct principles of character in every distinct indivi- dual : The manifest variety even in the minds of infants will oblige us to this . But what are these first principles of character ? Not the objects , I am persuaded , of the ...
... distinct principles of character in every distinct indivi- dual : The manifest variety even in the minds of infants will oblige us to this . But what are these first principles of character ? Not the objects , I am persuaded , of the ...
Strana 171
... distinct . - Climate and complexion demand their influence , ' Be thus when thou art dead , and I will kill thee , and love thee after , ' is a sentiment charac- teristic of , and fit only to be uttered by a Moor . But it was not enough ...
... distinct . - Climate and complexion demand their influence , ' Be thus when thou art dead , and I will kill thee , and love thee after , ' is a sentiment charac- teristic of , and fit only to be uttered by a Moor . But it was not enough ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers