Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 77
... excellence are paid to antiquity , is a complaint likely to be always continued by those , who , being able to add nothing to truth , hope for eminence from the heresies of paradox ; or those , who , being forced by disappointment upon ...
... excellence are paid to antiquity , is a complaint likely to be always continued by those , who , being able to add nothing to truth , hope for eminence from the heresies of paradox ; or those , who , being forced by disappointment upon ...
Strana 175
... excellence ; nothing is too great , nothing is too base . Is a character efficient like Richard , it is every thing we can wish : Is it otherwise , like Hamlet , it is pro- ductive of equal admiration : Action produces one mode of ...
... excellence ; nothing is too great , nothing is too base . Is a character efficient like Richard , it is every thing we can wish : Is it otherwise , like Hamlet , it is pro- ductive of equal admiration : Action produces one mode of ...
Strana 232
... excellence of her chosen poet , of our own Shakspeare , -himself a nature humanized , a genial understanding directing self - consciously a power and an implicit wis- dom deeper even than our consciousness . I greatly dislike beauties ...
... excellence of her chosen poet , of our own Shakspeare , -himself a nature humanized , a genial understanding directing self - consciously a power and an implicit wis- dom deeper even than our consciousness . I greatly dislike beauties ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers