Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 102
... force , or whether he had the common helps of scholastick education , the precepts of critical science , and the examples of ancient authours . There has always prevailed a tradition , that Shake- speare wanted learning , that he had no ...
... force , or whether he had the common helps of scholastick education , the precepts of critical science , and the examples of ancient authours . There has always prevailed a tradition , that Shake- speare wanted learning , that he had no ...
Strana 292
... force of passion , this tug and war of the elements of our being , this firm faith in filial piety , and the giddy anarchy and whirling tumult of the thoughts at finding this prop failing it , the contrast be- tween the fixed ...
... force of passion , this tug and war of the elements of our being , this firm faith in filial piety , and the giddy anarchy and whirling tumult of the thoughts at finding this prop failing it , the contrast be- tween the fixed ...
Strana 293
... force of indivi- dual passion , but of its dramatic vicissitudes and striking effects arising from the different circumstances and char- acters of the persons speaking . We see the ebb and flow of the feeling , its pauses and feverish ...
... force of indivi- dual passion , but of its dramatic vicissitudes and striking effects arising from the different circumstances and char- acters of the persons speaking . We see the ebb and flow of the feeling , its pauses and feverish ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers