Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 68
... heart , see ! they bark at me . He again resumes his imaginary power , and orders them to anatomize Regan ; ' See what breeds about her heart- Is there any cause in nature that makes these hard hearts ? You , Sir , ' speaking to Edgar ...
... heart , see ! they bark at me . He again resumes his imaginary power , and orders them to anatomize Regan ; ' See what breeds about her heart- Is there any cause in nature that makes these hard hearts ? You , Sir , ' speaking to Edgar ...
Strana 293
... heart of Lear , is the petrifying indifference , the cold , calculating , obdur- ate selfishness of his daughters . His keen passions seem whetted on their stony hearts . The contrast would be too painful , the shock too great , but for ...
... heart of Lear , is the petrifying indifference , the cold , calculating , obdur- ate selfishness of his daughters . His keen passions seem whetted on their stony hearts . The contrast would be too painful , the shock too great , but for ...
Strana 335
... heart of man - if all at once he should hear the death - like stillness broken up by the sound of wheels rattling ... heart , and the entrance of the fiendish heart was to be expressed and made sensible . Another world has stept in ; and ...
... heart of man - if all at once he should hear the death - like stillness broken up by the sound of wheels rattling ... heart , and the entrance of the fiendish heart was to be expressed and made sensible . Another world has stept in ; and ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers