Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 40
... Imagination with the Characters and Actions of such Persons as have many of them no Existence , but what he bestows on them . Such are Fairies , Witches , Magicians , Demons , and Departed Spirits . This Mr. Dryden calls the Fairy way ...
... Imagination with the Characters and Actions of such Persons as have many of them no Existence , but what he bestows on them . Such are Fairies , Witches , Magicians , Demons , and Departed Spirits . This Mr. Dryden calls the Fairy way ...
Strana 299
... imagination ( as is the case in reading ) , every circumstance , near or remote , has an equal chance of being kept in mind , and tells accordingly to the mixed impression of all that has been suggested . But the imagination cannot ...
... imagination ( as is the case in reading ) , every circumstance , near or remote , has an equal chance of being kept in mind , and tells accordingly to the mixed impression of all that has been suggested . But the imagination cannot ...
Strana 311
... imagination , everything has a life , a place , and being of its own ! Chaucer's characters are sufficiently distinct from one another , but they are too little varied in themselves , too much like identical propositions . They are ...
... imagination , everything has a life , a place , and being of its own ! Chaucer's characters are sufficiently distinct from one another , but they are too little varied in themselves , too much like identical propositions . They are ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers