Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 174
... interest of his fame . Milton and he will carry the decayed remnants and fripperies of antient mythology into more distant ages than they are by their own force intitled to extend ; and the metamorphoses of Ovid , upheld by them , lay ...
... interest of his fame . Milton and he will carry the decayed remnants and fripperies of antient mythology into more distant ages than they are by their own force intitled to extend ; and the metamorphoses of Ovid , upheld by them , lay ...
Strana 241
... interest is not historical , or depen- dent upon fidelity of portraiture , or the natural connexion of events , but is a birth of the imagination , and rests only on the coaptation and union of the elements granted to , or assumed by ...
... interest is not historical , or depen- dent upon fidelity of portraiture , or the natural connexion of events , but is a birth of the imagination , and rests only on the coaptation and union of the elements granted to , or assumed by ...
Strana 253
... interest and situations of which are derived from the assumption of a gross improbability ; whereas Beaumont and Fletcher's tragedies are , almost all of them , founded on some out of the way accident or exception to the general experi ...
... interest and situations of which are derived from the assumption of a gross improbability ; whereas Beaumont and Fletcher's tragedies are , almost all of them , founded on some out of the way accident or exception to the general experi ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers