Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana xvii
... manner was remarked on by Jeffrey in an article in The Edin- burgh Review . It was the first book in which the criticism of the nineteenth century spoke clearly and confidently . But Coleridge had already been lecturing on Shake- speare ...
... manner was remarked on by Jeffrey in an article in The Edin- burgh Review . It was the first book in which the criticism of the nineteenth century spoke clearly and confidently . But Coleridge had already been lecturing on Shake- speare ...
Strana 48
... Manners , of the Romans are exactly drawn ; and still a nicer distinction is shown , between the manners of the Romans in the time of the former , and of the latter . His reading in the ancient Historians is no less conspicuous , in ...
... Manners , of the Romans are exactly drawn ; and still a nicer distinction is shown , between the manners of the Romans in the time of the former , and of the latter . His reading in the ancient Historians is no less conspicuous , in ...
Strana 291
... manner is too strong and pointed . He throws a severity , approaching to virulence , into the common observations and answers . There is nothing of this in Hamlet . He is , as it were , wrapped up in his re- flections , and only thinks ...
... manner is too strong and pointed . He throws a severity , approaching to virulence , into the common observations and answers . There is nothing of this in Hamlet . He is , as it were , wrapped up in his re- flections , and only thinks ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers