Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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... occasion that any just Writer could take , to form the judgment and taste of our nation . For of all English Poets Shakespear must be confessed to be the fairest and fullest subject for Criticism , and to afford the most numerous , as ...
... occasion that any just Writer could take , to form the judgment and taste of our nation . For of all English Poets Shakespear must be confessed to be the fairest and fullest subject for Criticism , and to afford the most numerous , as ...
Strana 156
... occasion of the robbery at Gads - Hill , in the very act of running away from the Prince and Poins ; and we behold him , on another of more honourable obligation , in open day light , in battle , and acting in his profession as a ...
... occasion of the robbery at Gads - Hill , in the very act of running away from the Prince and Poins ; and we behold him , on another of more honourable obligation , in open day light , in battle , and acting in his profession as a ...
Strana 161
... occasion to wonder , as Shakespeare is a Name which contains All of Dramatic artifice and genius . If in this place the reader shall peevishly and pre- maturely object that the observations and distinctions I have laboured to establish ...
... occasion to wonder , as Shakespeare is a Name which contains All of Dramatic artifice and genius . If in this place the reader shall peevishly and pre- maturely object that the observations and distinctions I have laboured to establish ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers