Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 171
... perfect truth and coherence ; it was further necessary that he should possess a wonderful facility of compressing , as it were , his own spirit into these images , and of giving alternate animation to the forms . This was not to be done ...
... perfect truth and coherence ; it was further necessary that he should possess a wonderful facility of compressing , as it were , his own spirit into these images , and of giving alternate animation to the forms . This was not to be done ...
Strana 315
... perfect . The great fault of a modern school of poetry is , that it is an experiment to reduce poetry to a mere effusion of natural sensibility ; or what is worse , to divest it both of imaginary splendour and human passion , to ...
... perfect . The great fault of a modern school of poetry is , that it is an experiment to reduce poetry to a mere effusion of natural sensibility ; or what is worse , to divest it both of imaginary splendour and human passion , to ...
Strana 336
... perfect , then the world of dark- ness passes away like a pageantry in the clouds : the knocking at the gate is heard ; and it makes known audibly that the reaction has commenced ; the human has made its reflux upon the fiendish ; the ...
... perfect , then the world of dark- ness passes away like a pageantry in the clouds : the knocking at the gate is heard ; and it makes known audibly that the reaction has commenced ; the human has made its reflux upon the fiendish ; the ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers