Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 28
... Play is admirable ; the Humours are various and well oppos'd ; the main Design , which is to cure Ford of his unreasonable Jealousie , is extremely well conducted . Falstaff's Billet - doux , and Master Slender's Ah ! Sweet Ann Page ...
... Play is admirable ; the Humours are various and well oppos'd ; the main Design , which is to cure Ford of his unreasonable Jealousie , is extremely well conducted . Falstaff's Billet - doux , and Master Slender's Ah ! Sweet Ann Page ...
Strana 120
... play till I undertook to revise them as an editor . There is another controversy among the criticks con- cerning this play . It is disputed whether the predomi- nant image in Lear's disordered mind be the loss of his kingdom or the ...
... play till I undertook to revise them as an editor . There is another controversy among the criticks con- cerning this play . It is disputed whether the predomi- nant image in Lear's disordered mind be the loss of his kingdom or the ...
Strana 122
... play , rather an instru- ment than an agent . After he has , by the stratagem of the play , convicted the King , he makes no attempt to punish him , and his death is at last effected by an incident which Hamlet has no part in producing ...
... play , rather an instru- ment than an agent . After he has , by the stratagem of the play , convicted the King , he makes no attempt to punish him , and his death is at last effected by an incident which Hamlet has no part in producing ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers