Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 122
... producing . The catastrophe is not very happily produced ; the exchange of weapons is rather an expedient of necessity , than a stroke of art . A scheme might easily have been formed , to kill Hamlet with the dagger , and Laertes with ...
... producing . The catastrophe is not very happily produced ; the exchange of weapons is rather an expedient of necessity , than a stroke of art . A scheme might easily have been formed , to kill Hamlet with the dagger , and Laertes with ...
Strana 259
... producing any impression at all - gives a philosophic pertinency to this last image ; but it has likewise its dramatic use and purpose . For its commonness in ordinary conversation tends to produce the sense of reality , and at once ...
... producing any impression at all - gives a philosophic pertinency to this last image ; but it has likewise its dramatic use and purpose . For its commonness in ordinary conversation tends to produce the sense of reality , and at once ...
Strana 370
... produced him , we speak and think by him ; we are of one blood and kind with him . ' The most com- mon - sense politician , too , if he pleases , may think of that . Yes , truly , it is a great thing for a Nation that it get an ...
... produced him , we speak and think by him ; we are of one blood and kind with him . ' The most com- mon - sense politician , too , if he pleases , may think of that . Yes , truly , it is a great thing for a Nation that it get an ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers