Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana xiv
... remarkable ability , it must be admitted , but with sufficient com- petence to make his work historically important . Atten- tion came to be centred more and more on the characters . Henry Home ( better known as Lord Kames ) pointed out ...
... remarkable ability , it must be admitted , but with sufficient com- petence to make his work historically important . Atten- tion came to be centred more and more on the characters . Henry Home ( better known as Lord Kames ) pointed out ...
Strana 39
... remarkable Instance of this first kind of great Genius's . No. 160 - September 3 , 1711 - by Addison . Ir shews a greater Genius in Shakespear to have drawn his Calyban , than his Hotspur or Julius Caesar : The one was to be supplied ...
... remarkable Instance of this first kind of great Genius's . No. 160 - September 3 , 1711 - by Addison . Ir shews a greater Genius in Shakespear to have drawn his Calyban , than his Hotspur or Julius Caesar : The one was to be supplied ...
Strana 152
... remarkable characters , and to analyze their component parts : An exercise no less adap- ted to improve the heart , than to inform the understand- ing . It is obvious that my design by no means coincides with that of the ingenious ...
... remarkable characters , and to analyze their component parts : An exercise no less adap- ted to improve the heart , than to inform the understand- ing . It is obvious that my design by no means coincides with that of the ingenious ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers