Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 52
... sometimes blameable for the con- duct of his fables , which have no unity ; and sometimes for his diction , which is obscure and turgid ; so his characteristical excellencies may possibly be reduced to these three general heads : ' his ...
... sometimes blameable for the con- duct of his fables , which have no unity ; and sometimes for his diction , which is obscure and turgid ; so his characteristical excellencies may possibly be reduced to these three general heads : ' his ...
Strana 84
... sometimes produce seriousness and sorrow , and sometimes levity and laughter . That this is a practice contrary to the rules of criticism will be readily allowed ; but there is always an appeal open from criticism to nature . The end of ...
... sometimes produce seriousness and sorrow , and sometimes levity and laughter . That this is a practice contrary to the rules of criticism will be readily allowed ; but there is always an appeal open from criticism to nature . The end of ...
Strana 318
... sometimes technical , and involved in the affectation of the time . Compare , for example , Othello's apology to the Senate , relating ' his whole course of love , ' with some of the preceding parts relating to his appoint- ment , and ...
... sometimes technical , and involved in the affectation of the time . Compare , for example , Othello's apology to the Senate , relating ' his whole course of love , ' with some of the preceding parts relating to his appoint- ment , and ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
Autorská práva | |
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action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers