John Marston's Drama: Themes, Images, SourcesFairleigh Dickinson University Press, 1980 - Počet stran: 217 A work of historical criticism that offers new interpretations of the nine plays attributed solely to John Marston. Explores his use of literary, historical, and intellectual sources and focuses on recurrent major images and themes in the plays. |
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Strana 184
... Massinissa , who has bef- riended , but not , it seems , married , Sophonisba , but Scipio does de- mand the prisoner . " Then went Massinissa with the Romanes to de- liuer Sophonisba . But priuily he came firste to hir , & brought hir ...
... Massinissa , who has bef- riended , but not , it seems , married , Sophonisba , but Scipio does de- mand the prisoner . " Then went Massinissa with the Romanes to de- liuer Sophonisba . But priuily he came firste to hir , & brought hir ...
Strana 194
... Massinissa is as touching as that of Sophonisba , but the irony ( for those who know their history ) is even heavier . 99 Having set up his basic issues in act 1 , Marston has the powerful debate between Gelosso and the other Senators ...
... Massinissa is as touching as that of Sophonisba , but the irony ( for those who know their history ) is even heavier . 99 Having set up his basic issues in act 1 , Marston has the powerful debate between Gelosso and the other Senators ...
Strana 195
... Massinissa lives , to which she exclaims to her maid , Zanthia : “ Doe but record the justice of his love , / And my for ever vowes , for ever vowes " ( 2 : 35 ) . The faithless Zanthia , who has already urged So- phonisba to yield to ...
... Massinissa lives , to which she exclaims to her maid , Zanthia : “ Doe but record the justice of his love , / And my for ever vowes , for ever vowes " ( 2 : 35 ) . The faithless Zanthia , who has already urged So- phonisba to yield to ...
Obsah
Preface | 9 |
Antonio and Mellida as Experimental Tragicomedy | 73 |
6 | 91 |
Autorská práva | |
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