John Marston's Drama: Themes, Images, SourcesFairleigh Dickinson University Press, 1980 - Počet stran: 217 A work of historical criticism that offers new interpretations of the nine plays attributed solely to John Marston. Explores his use of literary, historical, and intellectual sources and focuses on recurrent major images and themes in the plays. |
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Strana 60
... audience in this play . Aside from the introduction , he twice calls attention to the play qua play . Planet , for example , mocks Camelia by drawing attention to the fact that " she " is a boy actor : “ fore this Audience , / Put off ...
... audience in this play . Aside from the introduction , he twice calls attention to the play qua play . Planet , for example , mocks Camelia by drawing attention to the fact that " she " is a boy actor : “ fore this Audience , / Put off ...
Strana 78
... audience to expect in the Induction ( lines 134-38 ) . The second reason is that Marston knew the audience must have been mightily confused by what actually took place in Antonio and Mellida , and he is here telling them to expect a ...
... audience to expect in the Induction ( lines 134-38 ) . The second reason is that Marston knew the audience must have been mightily confused by what actually took place in Antonio and Mellida , and he is here telling them to expect a ...
Strana 90
... audience ; And when the closing Epilogue appears , Instead of claps may it obtain but tears . ( 5.3.171-86 ) Antonio's speech , which is both epilogue and concluding threnos , or lament , has the effect of turning the play back into ...
... audience ; And when the closing Epilogue appears , Instead of claps may it obtain but tears . ( 5.3.171-86 ) Antonio's speech , which is both epilogue and concluding threnos , or lament , has the effect of turning the play back into ...
Obsah
Preface | 9 |
Antonio and Mellida as Experimental Tragicomedy | 73 |
6 | 91 |
Autorská práva | |
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A. H. Bullen Albano Altofronto Andrugio Antonio and Mellida Antonio's Revenge Appian argues audience Balurdo Beatrice burlesque Carthage characters Chrisoganus Cocledemoy comedy comic concludes court Crispinella critics disguise doth Dramatist Duke Dulcimel Dutch Courtesan edition Elizabethan English Erichtho essay Fawn Feliche Feliche's Finkelpearl Foakes Fortune Franceschina Freevill Freevill's G. K. Hunter Gelosso Gonzago Harvey Wood hath Hercules Histriomastix Jack Drum's Entertainment Jacobean John Marston Jonson Ladies Lampatho language lines Livy London lust M. L. Wine Malcontent Malevole Malheureux Mamon Marston's play Massinissa Mellida and Antonio's Mendoza Middle Temple Montaigne moral Mulligrub notes Pandulpho Pasquill passion Piero play's Plays of John points Quadratus Queen Regents Renaissance Drama Renaissance Drama Series reprint rhetorical Rossaline satiric Satirist says scene Scipio Seneca Shakespeare's Sophonisba speech Stoic Studies Syphax tells temperance theme thou Tiberio Titus Andronicus tragedy tragicomedy trans translation University Press vertue virtue vols