John Marston's Drama: Themes, Images, SourcesFairleigh Dickinson University Press, 1980 - Počet stran: 217 A work of historical criticism that offers new interpretations of the nine plays attributed solely to John Marston. Explores his use of literary, historical, and intellectual sources and focuses on recurrent major images and themes in the plays. |
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Strana 19
... critics seems to have paid any attention to Marston . We miss especially the judicious comments of a Dryden or a Samuel Johnson . It is in this period that Marston's dramatic reputation achieved what he himself asked for on his ...
... critics seems to have paid any attention to Marston . We miss especially the judicious comments of a Dryden or a Samuel Johnson . It is in this period that Marston's dramatic reputation achieved what he himself asked for on his ...
Strana 25
... critics ) , who range from buffoons to philosophers.26 Following Campbell's lead and expanding upon it , Brian Gibbons has recently argued in Jacobean City Comedy that parody informs Antonio and Mellida , What You Will , The Fawn , and ...
... critics ) , who range from buffoons to philosophers.26 Following Campbell's lead and expanding upon it , Brian Gibbons has recently argued in Jacobean City Comedy that parody informs Antonio and Mellida , What You Will , The Fawn , and ...
Strana 26
... critics as Ornstein , Hunter , and Eliot , who found the Antonio plays disappoint- ing , Foakes tells us " that parody , and a sardonic or grotesque humour were predominant in the playwright's conception , and much of the so - called ...
... critics as Ornstein , Hunter , and Eliot , who found the Antonio plays disappoint- ing , Foakes tells us " that parody , and a sardonic or grotesque humour were predominant in the playwright's conception , and much of the so - called ...
Obsah
Preface | 9 |
Antonio and Mellida as Experimental Tragicomedy | 73 |
6 | 91 |
Autorská práva | |
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