John Marston's Drama: Themes, Images, SourcesFairleigh Dickinson University Press, 1980 - Počet stran: 217 A work of historical criticism that offers new interpretations of the nine plays attributed solely to John Marston. Explores his use of literary, historical, and intellectual sources and focuses on recurrent major images and themes in the plays. |
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Strana 70
... disguise , as several critics have noticed , is probably derived from the story of Pyrocles in Sidney's Arcadia ( which Marston un- doubtedly read before writing Jack Drum's Entertainment ) . Although it does seem to be an absurd disguise ...
... disguise , as several critics have noticed , is probably derived from the story of Pyrocles in Sidney's Arcadia ( which Marston un- doubtedly read before writing Jack Drum's Entertainment ) . Although it does seem to be an absurd disguise ...
Strana 71
... disguise does allow Antonio to " try new fortunes with this strange disguise / To purchase my adored Mel- lida " ( 1.1.28-29 ) . ( We might compare the equally absurd disguises of Shakespeare's Rosalind in As You Like It or Viola in ...
... disguise does allow Antonio to " try new fortunes with this strange disguise / To purchase my adored Mel- lida " ( 1.1.28-29 ) . ( We might compare the equally absurd disguises of Shakespeare's Rosalind in As You Like It or Viola in ...
Strana 108
... disguise is the central dramatic symbol ; when the masquers step forth at the end of the play and reveal themselves , they herald the triumph of the humane world and the restoration of order . " 1 Wine is essentially cor- rect about ...
... disguise is the central dramatic symbol ; when the masquers step forth at the end of the play and reveal themselves , they herald the triumph of the humane world and the restoration of order . " 1 Wine is essentially cor- rect about ...
Obsah
Preface | 9 |
Antonio and Mellida as Experimental Tragicomedy | 73 |
6 | 91 |
Autorská práva | |
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