John Marston's Drama: Themes, Images, SourcesFairleigh Dickinson University Press, 1980 - Počet stran: 217 A work of historical criticism that offers new interpretations of the nine plays attributed solely to John Marston. Explores his use of literary, historical, and intellectual sources and focuses on recurrent major images and themes in the plays. |
Vyhledávání v knize
Výsledky 1-3 z 35
Strana 27
... means are the same that actors everywhere and in all times have employed - a con- vincing imitation , a powerful and ... mean - unless there is very good evidence , internal or external , to the contrary " and " that when an established ...
... means are the same that actors everywhere and in all times have employed - a con- vincing imitation , a powerful and ... mean - unless there is very good evidence , internal or external , to the contrary " and " that when an established ...
Strana 45
... mean anything , 34 the lawyers are as degenerate as anyone in the play and have gained their fortunes by unattractive means . When Champerty speaks of " Lawe , Armes , and Merchandize " ( 3 : 275 ) as the props of Nobility , she is ...
... mean anything , 34 the lawyers are as degenerate as anyone in the play and have gained their fortunes by unattractive means . When Champerty speaks of " Lawe , Armes , and Merchandize " ( 3 : 275 ) as the props of Nobility , she is ...
Strana 161
... mean . ( 2.1.49-52 ) Freevill's response may seem perfectly just for a young lover , but Marston's position is , like ... means " ' bove passion is wise " ( with a full stop after " truly vice " in line 222 ) . Such a reading would be ...
... mean . ( 2.1.49-52 ) Freevill's response may seem perfectly just for a young lover , but Marston's position is , like ... means " ' bove passion is wise " ( with a full stop after " truly vice " in line 222 ) . Such a reading would be ...
Obsah
Preface | 9 |
Antonio and Mellida as Experimental Tragicomedy | 73 |
6 | 91 |
Autorská práva | |
Další části 4 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
A. H. Bullen Albano Altofronto Andrugio Antonio and Mellida Antonio's Revenge Appian argues audience Balurdo Beatrice burlesque Carthage characters Chrisoganus Cocledemoy comedy comic concludes court Crispinella critics disguise doth Dramatist Duke Dulcimel Dutch Courtesan edition Elizabethan English Erichtho essay Fawn Feliche Feliche's Finkelpearl Foakes Fortune Franceschina Freevill Freevill's G. K. Hunter Gelosso Gonzago Harvey Wood hath Hercules Histriomastix Jack Drum's Entertainment Jacobean John Marston Jonson Ladies Lampatho language lines Livy London lust M. L. Wine Malcontent Malevole Malheureux Mamon Marston's play Massinissa Mellida and Antonio's Mendoza Middle Temple Montaigne moral Mulligrub notes Pandulpho Pasquill passion Piero play's Plays of John points Quadratus Queen Regents Renaissance Drama Renaissance Drama Series reprint rhetorical Rossaline satiric Satirist says scene Scipio Seneca Shakespeare's Sophonisba speech Stoic Studies Syphax tells temperance theme thou Tiberio Titus Andronicus tragedy tragicomedy trans translation University Press vertue virtue vols