John Marston's Drama: Themes, Images, SourcesFairleigh Dickinson University Press, 1980 - Počet stran: 217 A work of historical criticism that offers new interpretations of the nine plays attributed solely to John Marston. Explores his use of literary, historical, and intellectual sources and focuses on recurrent major images and themes in the plays. |
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Strana 52
... plot between The Trial of Chivalry and Jack Drum's Entertainment make it clear that it is the major source for Marston's play , there is one important difference that has not been sufficiently explored - the nature of the rejected ...
... plot between The Trial of Chivalry and Jack Drum's Entertainment make it clear that it is the major source for Marston's play , there is one important difference that has not been sufficiently explored - the nature of the rejected ...
Strana 106
... plot of I Morti Vivi " effects the happy return of two characters to scenes rendered chaotic by their supposed loss " ( p . 160 ) . Marston , as Caputi demonstrates , did not use the serious love story involving Ottavio and Alessandra ...
... plot of I Morti Vivi " effects the happy return of two characters to scenes rendered chaotic by their supposed loss " ( p . 160 ) . Marston , as Caputi demonstrates , did not use the serious love story involving Ottavio and Alessandra ...
Strana 142
... plot of the play ( i.e. , a duke - in - disguise plot ) to that of The Malcontent ( 1602-03 ) and because Marston's use of Florio's Montaigne is more cursory in The Fawn than in The Dutch Courtesan ( 1605 ) , where he obviously studied ...
... plot of the play ( i.e. , a duke - in - disguise plot ) to that of The Malcontent ( 1602-03 ) and because Marston's use of Florio's Montaigne is more cursory in The Fawn than in The Dutch Courtesan ( 1605 ) , where he obviously studied ...
Obsah
Preface | 9 |
Antonio and Mellida as Experimental Tragicomedy | 73 |
6 | 91 |
Autorská práva | |
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