John Marston's Drama: Themes, Images, SourcesFairleigh Dickinson University Press, 1980 - Počet stran: 217 A work of historical criticism that offers new interpretations of the nine plays attributed solely to John Marston. Explores his use of literary, historical, and intellectual sources and focuses on recurrent major images and themes in the plays. |
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Strana 29
... points out , Marston's " sense of theatre was always greater than his creative power . In the ability to create and maintain characters in the fullness and complexity of real life , characters that exist ( as often in his contemporaries ) ...
... points out , Marston's " sense of theatre was always greater than his creative power . In the ability to create and maintain characters in the fullness and complexity of real life , characters that exist ( as often in his contemporaries ) ...
Strana 84
... point ? The point is , in fact , excess . Both Shakespeare and Marston are showing the ethical conse- quences of what happens when men accept and then exceed the lex talionis as a mode of behavior.13 Kittredge points out that in Titus ...
... point ? The point is , in fact , excess . Both Shakespeare and Marston are showing the ethical conse- quences of what happens when men accept and then exceed the lex talionis as a mode of behavior.13 Kittredge points out that in Titus ...
Strana 151
... points out that in the Middle Ages and Renaissance " The Cicero- nian treatment [ of the cardinal virtues ] which was so steadily recalled was not the longer and less schematic one in the De officiis but the brief summary in the De ...
... points out that in the Middle Ages and Renaissance " The Cicero- nian treatment [ of the cardinal virtues ] which was so steadily recalled was not the longer and less schematic one in the De officiis but the brief summary in the De ...
Obsah
Preface | 9 |
Antonio and Mellida as Experimental Tragicomedy | 73 |
6 | 91 |
Autorská práva | |
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