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-imples assault upon spectator's mindand senser
- speechi movement are no interrelated that vocal pat. matches vrowad
-artain momemento, Shakespeare knows when words have done this worth
-Sharuspeare's giesmuls to actors are rich precie.

but actors allurved freedom
evroence for improvisation in frequent opportunities for clerining

(Feste: TN Vij 100-2
-stuve movements (although turefully prepared by shake, are left to

dramatst. - heat scenes Shakes balances oportunity for improvisation wirigidly Shaped text.

due to

SEQUENCE OR IMAGINATI UE, EMOTIONAL, INTELLECTUAL rue's reanned

sequence of scenes: continuity contrast of seenes -nuoccupied w/ sequence of contrasts in styles, pace, volume of sound,

suncet (pol. W loomeone).

chakespeards poetry-oestie

- was gestures instinctively to bring to life

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TC

rain of Heater does not belong to remedy. “ no ey nou live but lust. -"cemacu schre: Crite forumsin's Everyman cut of his humom

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