Ah! pensive scholar, what is fame?
A fitful tongue of leaping flame;
A giddy whirlwind's fickle gust,
That lifts a pinch of mortal dust:
A few swift years, and who can show
Which dust was Bill, and which was Joe.

The weary idol takes his stand,

Holds out his bruised and aching hand,
While gaping thousands come and go―
How vain it seems, this empty show! -
Till all at once his pulses thrill:

'Tis poor old Joe's, "God bless you, Bill!"

And shall we breathe in happier spheres
The names that pleased our mortal ears;
In some sweet lull of heart and song
For earthborn spirits none too long,
Just whispering of the world below
When this was Bill, and that was Joe?

No matter; while our home is here,
No sounding name is half so dear;
When fades at length our lingering day,

Who cares what pompous tombstones say?
Read on the hearts that love us still,
Hic jacet Joe. Hic jacet Bill.

NOTE. Hic jacet (pro. hie jā'çet) is a Latin phrase, meaning here lies. It is frequently used in epitaphs.

LXV. SORROW FOR THE DEAD.

THE sorrow for the dead is the only sorrow from which we refuse to be divorced. Every other wound we seek to heal; every other affliction, to forget; but this wound we consider it a duty to keep open. This affliction we cherish, and brood over in solitude. Where is the mother who would willingly forget the infant that has perished like a blossom from her arms, though every recollection is a pang? Where is the child that would willingly forget a tender parent, though to remember be but to lament? Who, even in the hour of agony, would forget the friend over whom he mourns?

No, the love which survives the tomb is one of the noblest attributes of the soul. If it has its woes, it has likewise its delights: and when the overwhelming burst of grief is calmed into the gentle tear of recollection; when the sudden anguish and the convulsive agony over the present ruins of all that we most loved, is softened away into pensive meditation on all that it was in the days of its loveliness, who would root out such a sorrow from the heart? Though it may, sometimes, throw a passing cloud over the bright hour of gayety, or spread a deeper sadness over the hour of gloom; yet, who would exchange it even for the song of pleasure, or the burst of revelry? No, there is a voice from the tomb sweeter than song. There is a remembrance of the dead, to which we turn even from the charms of the living.

Oh, the grave! the grave! It buries every error, covers every defect, extinguishes every resentment! From its peaceful bosom spring none but fond regrets and tender recollections. Who can look down upon the grave even of an enemy, and not feel a compunctious throb, that he should have warred with the poor handful of earth that lies moldering before him? But the grave of those we

loved-what a place for meditation! There it is that we call up, in long review, the whole history of virtue and gentleness, and the thousand endearments lavished upon us, almost unheeded in the daily intercourse of intimacy; there it is that we dwell upon the tenderness, the solemn, awful tenderness of the parting scene; the bed of death, with all its stifled griefs, its noiseless attendance, its mute, watchful assiduities! the last testimonies of expiring love! the feeble, fluttering, thrilling,-oh! how thrilling!-pressure of the hand! the last fond look of the glazing eye turning upon us, even from the threshold of existence! the faint, faltering accents, struggling in death to give one more assurance of affection!

Ay, go to the grave of buried love, and meditate! There settle the account with thy conscience for every past benefit unrequited; every past endearment unregarded, of that departed being, who can never -never-never return to be soothed by thy contrition! If thou art a child, and hast ever added a sorrow to the soul, or a furrow to the silvered brow of an affectionate parent; if thou art a husband, and hast ever caused the fond bosom that ventured its whole happiness in thy arms to doubt one moment of thy kindness or thy truth; if thou art a friend, and hast ever wronged, in thought, or word, or deed, the spirit that generously confided in thee; if thou hast given one unmerited pang to that true heart, which now lies cold and still beneath thy feet; then be sure that every unkind look, every ungracious word, every ungentle action, will come thronging back upon thy memory, and knocking dolefully at thy soul; then be sure that thou wilt lie down sorrowing and repentant on the grave, and utter the unheard groan, and pour the unavailing tear; more deep, more bitter, because unheard and unavailing.

Then weave thy chaplet of flowers, and strew the beauties of nature about the grave; console thy broken spirit, if thou canst, with these tender, yet futile, tributes of regret;

but take warning by the bitterness of this, thy contrite affliction over the dead, and henceforth be more faithful and affectionate in the discharge of thy duties to the living.

-Irving.

LXVI. THE EAGLE.

James Gates Percival, 1795-1856, was born at Berlin, Connecticut, and graduated at Yale College in 1815, at the head of his class. He was admitted to the practice of medicine in 1820, and went to Charleston, South Carolina. In 1824 he was appointed Professor of Chemistry at West Point, a position which he held but a few months. In 1854 he was appointed State Geologist of Wisconsin, and died at Hazel Green, in that state. Dr. Percival was eminent as a geographer, geologist, and linguist. He began to write poetry at an early age, and his fame rests chiefly upon his writings in this department. In his private life, Percival was always shy, modest, and somewhat given to melancholy. Financially, his life was one of struggle, and he was often greatly straitened for money.

BIRD of the broad and sweeping wing!
Thy home is high in heaven,

Where the wide storms their banners fling,
And the tempest clouds are driven.
Thy throne is on the mountain top;

Thy fields, the boundless air;

And hoary peaks, that proudly prop

The skies, thy dwellings are.

Thou art perched aloft on the beetling crag,
And the waves are white below,

And on, with a haste that can not lag,

They rush in an endless flow.

Again thou hast plumed thy wing for flight

To lands beyond the sea,

And away, like a spirit wreathed in light,

Thou hurriest, wild and free.

Lord of the boundless realm of air!

In thy imperial name,

The hearts of the bold and ardent dare
The dangerous path of fame.

Beneath the shade of thy golden wings,
The Roman legions bore,

From the river of Egypt's cloudy springs,
Their pride, to the polar shore.

For thee they fought, for thee they fell,
And their oath on thee was laid;
To thee the clarions raised their swell,
And the dying warrior prayed.

Thou wert, through an age of death and fears,
The image of pride and power,

Till the gathered rage of a thousand years,
Burst forth in one awful hour.

And then, a deluge of wrath, it came,

And the nations shook with dread;
And it swept the earth, till its fields were flame,
And piled with the mingled dead.
Kings were rolled in the wasteful flood,
With the low and crouching slave;
And together lay, in a shroud of blood,

The coward and the brave.

NOTES.

Roman legions. The Roman standard was the image of an eagle. The soldiers swore by it, and the loss of it was considered a disgrace.

One awful hour. Alluding to the destruction of Rome Sy the northern barbarians.