no eye has seen him, no ear has heard him. The secret is his own, and it is safe! Ah! gentlemen, that was a dreadful mistake. Such a secret can be safe nowhere. The whole creation of God has neither nook nor corner where the guilty can bestow it, and say it is safe. Not to speak of that eye which glances through all disguises, and beholds everything as in the splendor of noon; such secrets of guilt are never safe from detection, even by men. True it is, generally speaking, that "murder will out." True it is that Providence hath so ordained, and doth so govern things, that those who break the great law of Heaven by shedding man's blood, seldom succeed in avoiding discovery. Especially, in a case exciting so much attention as this, discovery must come, and will come, sooner or later. A thousand eyes turn at once to explore every man, everything, every circumstance connected with the time and place; a thousand ears catch every whisper; a thousand excited minds intensely dwell on the scene, shedding all their light, and ready to kindle the slightest circumstance into a blaze of discovery. Meantime, the guilty soul can not keep its own secret. It is false to itself, or rather it feels an irresistible impulse of conscience to be true to itself. It labors under its guilty possession, and knows not what to do with it. The human heart was not made for the residence of such an inhabitant. It finds itself preyed on by a torment, which it dares not acknowledge to God nor man. A vulture is devouring it, and it can ask no sympathy or assistance either from heaven or earth. The secret which the murderer possesses soon comes to possess him; and, like the evil spirits of which we read, it overcomes him, and leads him whithersoever it will. He feels it beating at his heart, rising to his throat, and demanding disclosure. He thinks the whole. world sees it in his face, reads it in his eyes, and almost hears its workings in the very silence of his thoughts. It has become his master. It betrays his discretion, it breaks down his courage, it conquers his prudence. When suspicions from without begin to embarrass him, and the net of circumstance to entangle him, the fatal secret struggles with still greater violence to burst forth. It must be confessed, it will be confessed; there is no refuge from confession but suicide, and suicide is confession. -Daniel Webster. NOTE. The above extract is from Daniel Webster's argument in the trial of John F. Knapp for the murder of Mr. White, a very wealthy and respectable citizen of Salem, Mass. Four persons were arrested as being concerned in the conspiracy; one confessed the plot and all the details of the crime, implicating the others, but he afterwards refused to testify in court. The man who, by this confession, was the actual murderer, committed suicide, and Mr. Webster's assistance was obtained in prosecuting the others. John F. Knapp was convicted as principal, and the other two as accessaries in the murder. C. THE CLOSING YEAR. George Denison Prentice, 1802-1870, widely known as a political writer, a poet, and a wit, was born in Preston, Connecticut, and graduated at Brown University in 1823. He studied law, but never practiced his profession. He edited a paper in Hartford for two years; and, in 1831, he became editor of the "Louisville Journal," which position he held for nearly forty years. As an editor, Mr. Prentice was an able, and sometimes bitter, political partisan, abounding in wit and satire; as a poet, he not only wrote gracefully himself, but he did much by his kindness and sympathy to develop the poetical talents of others. Some who have since taken high rank, first became known to the world through the columns of the "Louisville Journal." 'TIS midnight's holy hour, and silence now Is brooding like a gentle spirit o'er The still and pulseless world. Hark! on the winds, No funeral train Is sweeping past; yet, on the stream and wood, Young Spring, bright Summer, Autumn's solemn form, And Winter, with his aged locks-and breathe In mournful cadences, that come abroad Like the far wind harp's wild and touching wail, Gone from the earth forever. "Tis a time For memory and for tears. Within the deep, Still chambers of the heart, a specter dim, Whose tones are like the wizard voice of Time, And solemn finger to the beautiful And holy visions, that have passed away, And, bending mournfully above the pale, Sweet forms that slumber there, scatters dead flowers O'er what has passed to nothingness. The year Has gone, and, with it, many a glorious throng Is fallen, and the flashing eye is dim. It heralded its millions to their home Remorseless Time! Fierce spirit of the glass and scythe!-what power He presses, and forever. The proud bird, Through heaven's unfathomable depths, or brave And bathe his plumage in the thunder's home, Knows not the weight of sleep or weariness; Revolutions sweep O'er earth, like troubled visions o'er the breast Spring blazing from the ocean, and go back To their mysterious caverns; mountains rear To heaven their bald and blackened cliffs, and bow And, like the Pleiad, loveliest of their train, CI. A NEW CITY IN COLORADO. Helen Hunt Jackson, 1830-1885, was the daughter of the late Professor Nathan W. Fiske, of Amherst College. She was born in Amherst, and educated at Ipswich, Massachusetts, and at New York. Mrs. Jackson was twice married. In the latter years of her life, she became deeply interested in the Indians, and wrote two books, "Ramona," a novel, and "A Century of Dishonor," setting forth vividly the wrongs to which the red race has been subjected. She had previously published several books of prose and poetry, less important but charming in their way. The following selection is adapted from "Bits of Travel at Home." GARLAND CITY is six miles from Fort Garland. The road to it from the fort lies for the last three miles on the top of a sage-grown plateau. It is straight as an arrow, looks in the distance like a brown furrow on the pale gray plain, and seems to pierce the mountains beyond. Up to within an eighth of a mile of Garland City, there is no trace of human habitation. Knowing that the city must be near, you look in all directions for a glimpse of it; the |