Speaking ShakespeareMethuen, 2002 - Počet stran: 355 This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Strana 306
... Lady Macbeth : That which hath made them drunk hath made me What hath quench'd them hath given me fire . Hark ! Peace ! It was the owl that shriek'd , the fatal bellman , Which gives the stern'st good - night . He is about it . The ...
... Lady Macbeth : That which hath made them drunk hath made me What hath quench'd them hath given me fire . Hark ! Peace ! It was the owl that shriek'd , the fatal bellman , Which gives the stern'st good - night . He is about it . The ...
Strana 307
... Lady Macbeth : Consider it not so deeply . Macbeth : But wherefore could not I pronounce ' Amen ' ? I had most need of blessing , and ' Amen ' Stuck in my throat . Lady Macbeth : These deeds must not be thought After these ways : so ...
... Lady Macbeth : Consider it not so deeply . Macbeth : But wherefore could not I pronounce ' Amen ' ? I had most need of blessing , and ' Amen ' Stuck in my throat . Lady Macbeth : These deeds must not be thought After these ways : so ...
Strana 313
Patsy Rodenburg. Elsewhere he is merely ' he ' for Lady Macbeth , with ' Had he not resem- bled my father as he slept ' and ' If he do bleed ' . Macbeth himself is pre- sent to Lady Macbeth in various forms referred to as ' He ' , then ...
Patsy Rodenburg. Elsewhere he is merely ' he ' for Lady Macbeth , with ' Had he not resem- bled my father as he slept ' and ' If he do bleed ' . Macbeth himself is pre- sent to Lady Macbeth in various forms referred to as ' He ' , then ...
Obsah
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Autorská práva | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word