Speaking ShakespeareMethuen, 2002 - Počet stran: 355 This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Strana 10
... clear to the audience . Such a choice takes enormous technique , and it is a filled decision , not a casual one . For instance , you could interpret Polonius as an unlistening , uncar- ing politician who bores everyone by droning on and ...
... clear to the audience . Such a choice takes enormous technique , and it is a filled decision , not a casual one . For instance , you could interpret Polonius as an unlistening , uncar- ing politician who bores everyone by droning on and ...
Strana 57
... is hard to speak , and deliberately so . Paulina is forcing herself to speak clearly either to control her tears , or possibly to stop herself hitting Leontes . She is pinning Part 1 FOUNDATION CRAFT 57 57 | Clear Speech.
... is hard to speak , and deliberately so . Paulina is forcing herself to speak clearly either to control her tears , or possibly to stop herself hitting Leontes . She is pinning Part 1 FOUNDATION CRAFT 57 57 | Clear Speech.
Strana 187
... clear that he actually enters after her speech , and that she reacts immediately with ' What is your tidings ? ' The servant's early entrance not only cluttered the last section of Lady Macbeth's speech but deflated the urgency of his ...
... clear that he actually enters after her speech , and that she reacts immediately with ' What is your tidings ? ' The servant's early entrance not only cluttered the last section of Lady Macbeth's speech but deflated the urgency of his ...
Obsah
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Autorská práva | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word