Speaking ShakespeareMethuen, 2002 - Počet stran: 355 This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
Vyhledávání v knize
Výsledky 1-3 z 63
Strana 11
... heightened , in our most life - changing and life - enhancing moments . In those moments we have all found clarity and expressed ourselves with passion , directness and articulacy . We have all had such experiences , if only in our ...
... heightened , in our most life - changing and life - enhancing moments . In those moments we have all found clarity and expressed ourselves with passion , directness and articulacy . We have all had such experiences , if only in our ...
Strana 228
... heightened . The mundane could be that the attendants carrying the coffin don't hear her the first time . The heightened could encompass rich and exciting possibilities . From the attendants ' point of view , putting the body down in ...
... heightened . The mundane could be that the attendants carrying the coffin don't hear her the first time . The heightened could encompass rich and exciting possibilities . From the attendants ' point of view , putting the body down in ...
Strana 330
... heightened form , he also heightens Cleopatra - she is not a woman to be discussed in prose . This could be a way of defending Antony , for the verse clearly signals that he was not kept from Rome and political oblig- ations by any ...
... heightened form , he also heightens Cleopatra - she is not a woman to be discussed in prose . This could be a way of defending Antony , for the verse clearly signals that he was not kept from Rome and political oblig- ations by any ...
Obsah
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Autorská práva | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word