Speaking ShakespeareMethuen, 2002 - Počet stran: 355 This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Výsledky 1-3 z 44
Strana 20
... holds . - • Now release the shoulders - don't hold or slump them . Swing your arms around as though you are gently throwing a ball underarm . You can do this with both arms separately or together . The impor- tant aspect of this ...
... holds . - • Now release the shoulders - don't hold or slump them . Swing your arms around as though you are gently throwing a ball underarm . You can do this with both arms separately or together . The impor- tant aspect of this ...
Strana 94
... hold it . You can think and still hold it . What you can't do is stop . Suspension is possible , but stopping is death . Stop and you will deaden the rhythm and kill the energy ; you will kill the verse and ultimately the play . You ...
... hold it . You can think and still hold it . What you can't do is stop . Suspension is possible , but stopping is death . Stop and you will deaden the rhythm and kill the energy ; you will kill the verse and ultimately the play . You ...
Strana 111
... hold the thought and feel connected to it . • You should now be able to hold a thought . Walking the journey of a thought The next stage is to go deeper into a long thought , which may have many changes of direction . I want you to feel ...
... hold the thought and feel connected to it . • You should now be able to hold a thought . Walking the journey of a thought The next stage is to go deeper into a long thought , which may have many changes of direction . I want you to feel ...
Obsah
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Autorská práva | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word