Speaking ShakespeareMethuen, 2002 - Počet stran: 355 This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
Vyhledávání v knize
Výsledky 1-3 z 44
Strana 64
... nature ; for anything so o'erdone is from the purpose of playing , whose end , both at the first and now , was and is to hold , as ' twere , the mirror up to nature ; to show virtue her own feature , scorn her own image , and the very ...
... nature ; for anything so o'erdone is from the purpose of playing , whose end , both at the first and now , was and is to hold , as ' twere , the mirror up to nature ; to show virtue her own feature , scorn her own image , and the very ...
Strana 115
... nature ; It is too full o ' th ' milk of human kindness To catch the nearest way . The first line has nine syllables . It starts with a full weight on ' Glamis ' and then gathers speed to ' and shalt be ' , which doesn't finish the line ...
... nature ; It is too full o ' th ' milk of human kindness To catch the nearest way . The first line has nine syllables . It starts with a full weight on ' Glamis ' and then gathers speed to ' and shalt be ' , which doesn't finish the line ...
Strana 324
... nature , creation and expansive- ness . Nature moves through Viola , while Olivia's life and language deny it . She prefers lists which can control and order feelings . Her extraordi- nary image for falling in love is of catching the ...
... nature , creation and expansive- ness . Nature moves through Viola , while Olivia's life and language deny it . She prefers lists which can control and order feelings . Her extraordi- nary image for falling in love is of catching the ...
Obsah
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Autorská práva | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word