Speaking ShakespeareMethuen, 2002 - Počet stran: 355 This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
Vyhledávání v knize
Výsledky 1-3 z 45
Strana 6
... never fall off a word or a line , never sound uninterested or disengaged . It is a rhythm of verse and speech that requires you to be vital and energised . In order to speak Shakespeare you will need passion , energy and courage . You ...
... never fall off a word or a line , never sound uninterested or disengaged . It is a rhythm of verse and speech that requires you to be vital and energised . In order to speak Shakespeare you will need passion , energy and courage . You ...
Strana 91
... never shaken ; It is the star to every wand'ring bark , Whose worth's unknown , although his height be taken . Love's not Time's fool , though rosy lips and cheeks Within his bending sickle's compass come ; Love alters not with his ...
... never shaken ; It is the star to every wand'ring bark , Whose worth's unknown , although his height be taken . Love's not Time's fool , though rosy lips and cheeks Within his bending sickle's compass come ; Love alters not with his ...
Strana 275
... never cheapen her ; fair , or I'll never look on her ; mild , or come not near me ; noble , or not I for an angel ; of good discourse , an excellent musician , and her hair shall be of what colour it please God . Ha ! The Prince and ...
... never cheapen her ; fair , or I'll never look on her ; mild , or come not near me ; noble , or not I for an angel ; of good discourse , an excellent musician , and her hair shall be of what colour it please God . Ha ! The Prince and ...
Obsah
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Autorská práva | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word