Speaking ShakespeareMethuen, 2002 - Počet stran: 355 This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Strana 17
... walk like that on rough ground . Observe anyone living and working in rural conditions : their movements are economical to avoid wasting energy . Try herding cattle hip - hop style ! As soon as a character walks on stage , we should ...
... walk like that on rough ground . Observe anyone living and working in rural conditions : their movements are economical to avoid wasting energy . Try herding cattle hip - hop style ! As soon as a character walks on stage , we should ...
Strana 26
... walk swiftly - run into walking , walk slowly but with intent . What you can't do is shuffle or wander . You must feel focus and direction as you walk . After even a minute of this walking , you will feel more engaged and alive . At ...
... walk swiftly - run into walking , walk slowly but with intent . What you can't do is shuffle or wander . You must feel focus and direction as you walk . After even a minute of this walking , you will feel more engaged and alive . At ...
Strana 112
... walk , rather than your walk harnessing the text . • You might be thrown forward rapidly ; you might have to walk slowly . There could be many twists and turns in one line , or you might experi- ence a huge arc of a thought moving in ...
... walk , rather than your walk harnessing the text . • You might be thrown forward rapidly ; you might have to walk slowly . There could be many twists and turns in one line , or you might experi- ence a huge arc of a thought moving in ...
Obsah
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Autorská práva | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word